4.7 • 1.9K Ratings
🗓️ 11 February 2018
⏱️ 21 minutes
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0:00.0 | The Hi, I'm Peter Adamson, and you're listening to the History of Philosophy Podcast. |
0:21.2 | Brought to you with the support of the philosophy department at King's College London and the LMU in Munich online at history of philosophy.net. |
0:29.0 | Today's episode, The Most Christian Doctor, Jean Gerson. |
0:35.0 | Our tour through medieval intellectual culture is reaching its final stops as we approach the year 1400, |
0:41.0 | and thus the date I've somewhat artificially chosen to mark the boundary between |
0:45.8 | medieval and Renaissance philosophy. To make sure you realize how artificial that boundary is, in these |
0:51.9 | last few episodes of the current series I'll be looking at |
0:54.9 | figures and movements that span the divide between the 14th and 15th centuries. |
0:59.9 | We'll be seeing anticipations of Renaissance humanism and of the religious controversies that ultimately |
1:04.9 | gave rise to the Protestant Reformation. But around 1400 people were also looking back. They continued |
1:12.1 | to take inspiration from earlier scholastics like Aquinas, |
1:15.2 | Scotus, and Occam, and texts that were more than a century old were the late medieval equivalent of |
1:20.8 | bestsellers. One of them was The Romance of the Rose. Normally when I allude |
1:26.6 | to topics covered in long previous episodes, I worry that listeners will struggle to remember what |
1:31.7 | I'm talking about, but I suspect you'll have no trouble, |
1:34.6 | recalling this ironic, artful, and occasionally obscene production of the late 13th century poet Jean de Moon. |
1:41.8 | The occasional obscenity was one reason for the so-called |
1:44.4 | Carol de la Rose, a famous debate over the romance of the rose that was sparked at the close |
1:49.9 | of the 14th century. It involved about half a dozen members of the French aristocracy with various connections |
1:56.3 | to the French court and in the person of Jean Gresson, the Chancellor of the University of |
2:01.3 | Paris. He was scandalized by the poem's enthusiastic embrace of erotic |
2:06.3 | conquest, its use of naughty language, and even naughtier metaphors to describe the sexual organs. |
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