4.8 • 2.7K Ratings
🗓️ 19 December 2023
⏱️ 52 minutes
🧾️ Download transcript
John welcomes writer and director Christopher Nolan (The Dark Knight, Inception) to discuss experimentation, subjectivity and adaptation as they take an in-depth look at his screenplay, Oppenheimer.
They explore Chris’ writing process, how to make non-linear structures work, finding the story in real-life events, being kinetic on the page, the importance of embracing editing, and why theme can be a tricky thing.
In our bonus segment for premium members, Chris and John muse about the difficulties of dream sequences — and what makes them work.
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0:00.0 | Hello and welcome my name is John August and this is episode 622 of script notes a |
0:07.4 | podcast about screenwriting and things that are interesting to screenwriters. |
0:11.1 | Our guest today is the writer director of the acclaimed |
0:13.8 | indie films The Following in Momento, who's gone on baked movies including the |
0:17.4 | prestige and somnia, interstellar inception, Tenet, and The Dark Night trilogy. |
0:21.5 | His latest film is Oppenheimer. |
0:24.0 | Welcome to the podcast, Christopher Nolan. |
0:25.0 | Thank you very much. |
0:26.0 | Oh, we're so excited to have you here. |
0:28.0 | It's great to finally meet you because I've known your brother, Jonah, |
0:30.0 | for a long time. |
0:31.0 | He's been on the show two or three times. |
0:32.0 | But I've never met you. |
0:34.0 | Well very nice to meet he speaks very highly of you so. |
0:37.0 | So usually when Jonah is on with Lisa we're talking television because they are mostly making |
0:41.0 | television stuff today I only want to talk about big screen movie stuff |
0:44.6 | and will be just stuff that's on giant screens, |
0:47.2 | stories that tell themselves in two hours |
0:49.8 | or a little bit more than two hours. |
0:51.1 | It's a while since I had two hours but absolutely. But yes. But also |
0:56.0 | like you know stories that are like a one-time journey where it's not about sort of coming |
0:59.8 | back for next week. Absolutely no very different different shape to things. And so I want to get into that, I want to get into your history with cinemas or how you think about movies. Your work as a screenwriter who is going to be directing your own movies. Then we'll look at some scenes from |
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