4.8 • 2.7K Ratings
🗓️ 18 March 2025
⏱️ 63 minutes
🧾️ Download transcript
John welcomes back Christina Hodson (The Flash, Bumblebee) to ask, how do you to construct a great action sequence? Using examples from three different movies, they discuss what good action looks like on the page, how to keep your reader from getting bored or confused, and why production can sometimes blow your plans to smithereens.
Then it’s a round of How Would This be a Movie?, where we take four stories from the news and pitch how we might adapt them for the screen. Stories include a mysterious painting, a train trapped in a blizzard, a teen who sued his parents, and zombie colleges.
We also follow up on director’s chairs and mammograms, and answer listener questions on side characters and creating a healthy work/life balance.
In our bonus segment for premium members, John and Christina examine the do’s and don’ts of introducing yourself to a stranger through email.
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Email us at [email protected]
You can download the episode here.
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0:00.0 | Hey, this is John. A standard warning for people who are in the car with their kids. There's some swearing in this episode. |
0:08.9 | Hello and welcome. My name is John August. You're listening to episode 680 of Script Notes, a podcast about screenwriting and things that are interesting to screenwriters. Today on the show, how do you write action set pieces that work both on the screen and on the page? |
0:21.3 | We'll talk with a writer who has made that her calling card. |
0:23.8 | Then it's a new round of how would this be a movie, where we take stories from the news or history, |
0:28.1 | and squeeze the cinematic juice out of them. |
0:30.3 | To help us do all this, let's welcome back the screenwriter behind Bumblebee, Birds of Prey and the Flash, Christina Hodson. |
0:36.0 | Hello. Christina Hudson, we're so happy to have you back. |
0:38.4 | I'm very happy to be back. |
0:39.4 | I cannot believe you are on 680. |
0:42.3 | It's so many episodes. |
0:43.8 | So many. |
0:45.1 | Yeah, but as we're doing the script notes book now, we're in sort of the last edits on script notes, it's book. |
0:48.9 | It feels like 680 episodes. |
0:51.0 | There's just a lot there. |
0:52.7 | It's been a lot of sifting through stuff. And the |
0:55.5 | culling phase now where it's like, we've had these amazing guests on. It's like, oh, we want to do |
0:59.1 | a little breakout chowder with them. It's like, oh, no, there's no room. There's no room for |
1:02.5 | these people. Ryan Reynolds, gone. He's gone. Ryan, if you're listening to this, sorry. You were |
1:07.2 | terrific. You're wonderful twice for me ryan christina no we want to bring you in here |
1:13.3 | right now just to let you know that you're such a valuable part of this shrimp notes community and yet you |
1:17.4 | don't have your own chapter well you can you can you can swear if you want to on the show |
1:22.5 | i forgot to apologize in advance i will be swearing all right uh we are going to have some swearing |
... |
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