4.9 • 12.2K Ratings
🗓️ 10 July 2019
⏱️ 54 minutes
🧾️ Download transcript
It’s the Season 7 premiere! Which begins, naturally, with a scene from the Season 10 premiere! Suspense hovers over this episode, like a space station in need of maintenance—or a baker about to be sent home from the tent—as Josh and Hrishi sort through both the wise and foolish acts of our heroes.
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0:00.0 | You're listening to The West Wing Weekly. I'm Rishi K. Sherway. And I'm Joshua Molina. |
0:10.6 | Welcome to season seven. Yee-haw! Is this the home stretch? Are we calling this the home |
0:14.8 | stretch, or am I, is it premature? I think maybe too early to call the home stretch, right? |
0:19.6 | Okay, fair enough. Today we're talking about the ticket. It's the season premiere of season |
0:24.8 | seven. It was written by Debra Conn. It was directed by Christopher Mizziano. And it first aired on |
0:30.3 | September 25th, 2005. How about that? This is the first season premiere that was ever written |
0:37.2 | by someone other than the showrunner. Oh, how about that? Interesting. Yeah, congratulations to Debra Conn. |
0:43.1 | Well done. In this episode, it's four days after the events of the season six finale and the |
0:48.4 | Democratic convention. Things are off to a rocky start for the brand new Santos Maguery campaign, |
0:53.2 | the titular ticket. And inside the White House, they're investigating the leak of the top secret |
0:58.0 | military space shuttle that's now off to rescue the astronauts in the space station. The campaign |
1:03.0 | in the White House have some trouble coordinating their individual needs into a unified plan, |
1:06.9 | which is exactly what the Republican speaker of the House wants. But before we get to all of that, |
1:11.2 | we start with the time jump to three years later. Yeah, how about that? What the hell? |
1:17.2 | Yeah, that was my reaction. I remember shooting that scene. And in my mind, it was part of the finale. |
1:26.4 | I didn't recall that it was part of the season opener. Why? Whatever for? I don't know. I'm very |
1:35.1 | against it. I was not a big fan either. It's not also incredibly revelatory. No, it feels like |
1:42.0 | they're raining on the parade of anticipation that we might feel as the show heads towards the finale. |
1:48.0 | Right. And there's nothing particular that's teased there. I think that makes us intrigued by |
1:54.4 | how we're going to get there. Right. It's not like someone's got a gun to their head. And it's a |
2:00.1 | crazy action-packed, immediate res thing that would drop into. And then we have to figure out how |
2:05.3 | do they get to that place? And then how are they going to get out? Right. It's a very little |
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