4.9 • 12.2K Ratings
🗓️ 16 October 2019
⏱️ 54 minutes
🧾️ Download transcript
Eli Attie joins us to discuss this tension-filled episode about a potential nuclear disaster.
For more, visit thewestwingweekly.com/712
Click on a timestamp to play from that location
0:00.0 | Hello and welcome back. You're listening to the West Wing weekly. I'm Joshua Molina. |
0:10.9 | That's right. You're listening to the Dullsit tones of Joshua Molina. Was that particularly |
0:14.9 | the Dullsit or is just because we haven't talked in a while? Well, it's a reference to |
0:18.6 | the episode we're about to discuss Josh. The Dullsit tones of Will Bailey get you |
0:22.6 | souvenir programs in the lobby. What about... Oh, very clever. Yeah, I guess I forgot that |
0:26.9 | I speak about myself in the third version. Dullsit, even. Right. And I'm Rishikesh |
0:31.6 | Hereway. Today we're talking about episode 12 from season 7. It's called Duck and Cover. |
0:36.0 | It was written by Eli Addie. It was directed by Christopher Maseano and at first aired |
0:40.7 | on January 22nd, 2006. In this episode, there's a crisis at a nuclear power plant in California, |
0:47.4 | sending the Bartlett administration into action, forced to make difficult choices. It sends |
0:51.8 | the Santos campaign into the difficult choice of inaction as they wait for the political |
0:55.6 | fallout from potential nuclear fallout. And Senator Vinik is caught somewhere in between |
1:00.1 | as his present and past choices box him in further and further. |
1:04.2 | Hmm, that sounds good. You know what else sounds good? Our special guest today. Tell me, |
1:08.9 | it's a bad joke. I can't take the suspense. Suspense is the order of the day and we're |
1:12.7 | joined by our suspense creator, writer Eli Addie. Oh, that's why I see him on Skype. |
1:18.8 | I don't know if my tones are Dullsit, but I know how to type the word apparently. |
1:22.9 | This is a terrific episode. I feel like this is the best of what the West Wing can do. |
1:27.6 | I like when, although I also love when there's, you know, CD and E plots, I also like when |
1:34.8 | an episode is a little bit more concentrated around a singular, really strong A plot. You |
1:41.8 | know, these argue, arguably a B plot going on this episode as well, but it's really |
1:45.4 | taken up largely with everybody focused on the same event. And it also does what the West |
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