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The Daily Poem

Allen Tate's "Edges"

The Daily Poem

Goldberry Studios

Education For Kids, Arts, Kids & Family

4.6729 Ratings

🗓️ 20 November 2023

⏱️ 7 minutes

🧾️ Download transcript

Summary

John Orley Allen Tate (November 19, 1899 – February 9, 1979) was a poet, critic, biographer, and novelist. Born and raised in Kentucky, he earned his BA from Vanderbilt University, where he was the only undergraduate to be admitted to the Fugitives, an informal group of Southern intellectuals that included John Crowe Ransom, Donald Davidson, Merrill Moore, and Robert Penn Warren. Tate is now remembered for his association with the Fugitives and Southern Agrarians, writers who critiqued modern industrial life by invoking romanticized versions of Southern history and culture. Tate’s best-known poems, including “Ode to the Confederate Dead,” confronted the relationship between an idealized past and a present he believed was deficient in both faith and tradition. Despite his commitment to developing a distinctly Southern literature, Tate’s many works frequently made use of classical referents and allusions; his early writing was profoundly influenced by French symbolism and the poetry and criticism of T.S. Eliot. During the 1940s and 1950s, Tate was an important figure in American letters as editor of the Sewanee Review and for his contributions to other midcentury journals such as the Kenyon Review. As a teacher, he influenced poets including Robert Lowell, John Berryman, and Theodore Roethke, and he was friends with Hart Crane, writing the introduction to Crane’s White Buildings (1926). From 1951 until his retirement in 1968, Tate was a professor of English at the University of Minnesota.In the decades that he was most active, Tate’s “influence was prodigious, his circle of acquaintances immense,” noted Jones in the Dictionary of Literary Biography. James Dickey could write that Tate was more than a “Southern writer.” Dickey went on, “[Tate’s] situation has certain perhaps profound implications for every man in every place and every time. And they are more than implications; they are the basic questions, the possible solutions to the question of existence. How does each of us wish to live his only life?”

Allen Tate won numerous honors and awards during his lifetime, including the Bollingen Prize and a National Medal for Literature. He was the consultant in poetry at the Library of Congress and president of the National Institute of Arts and Letters.

-bio via Poetry Foundation



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Transcript

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0:00.0

Welcome back to The Daily Poem, podcast from Goldberry Studios. I'm Sean Johnson, and today is Monday, November 20th, 2003. Yesterday was the birthday of Southern Agrarian poet Alan Tate. Tate, along with other recognizable figures like John Crow Ransom, Robert Penn Warren, and Donald Davidson

0:22.7

made up a group of poets and literary critics known as the fugitives or the Southern

0:30.6

Agrarians that formed in the 20s and Vanderbilt University. And their shared project was a sort of nostalgic but mournful examination of Southern cultural history,

0:47.3

as well as a kind of aspirational look forward to what Southern culture could become in the wake of the ethical and historical

0:58.1

disappointments of the preceding century.

1:02.4

And his best known and remembered poem falls along those lines.

1:08.6

It's called Ode to the Confederate Dead. That is not the poem I'm going

1:13.7

to read today. Today's poem is called Edges. And it too shares the theme of painful remembrance,

1:31.7

but it's far more intimate and personal in nature.

1:37.7

I'll read it once, offer a few comments, and then read it one more time.

1:39.6

Edges.

1:46.9

I've often wondered why she laughed on thinking why I wondered so.

1:53.3

It seemed such waste that long white hands should touch my hands and let them go.

1:59.7

And once when we were parting there, unseen of anything but trees, I touched her fingers thoughtfully for more than simple niceties.

2:03.8

But for some futile things unsaid, I should say all is done for us.

2:09.5

Yet I have wondered how she smiled, beholding what was cavernous.

2:20.3

This is F rather short poem, but it's packed.

2:25.9

Packed full for all of that brevity.

2:32.6

It seems to be ostensibly a poem about a lost love and a final farewell, a final parting of the ways that is remembered in light of the sort of repeated parting of the ways.

2:55.7

The routine farewells that now are colored in a new way by the final parting.

3:10.3

And that circle from the remembered particular events to this final, all-defining,

3:23.8

is mirrored by tiny circles within the poem, even

...

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