4.6 • 4.7K Ratings
🗓️ 8 February 2024
⏱️ 80 minutes
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0:00.0 | The year is 1984 and it seems to me that I'm hearing the voice of Pod. |
0:10.0 | The movie on on the dais. Hello everyone and welcome to a unspold. |
0:37.0 | I am Paul Shear. |
0:38.0 | I love movies and I am joined as always to talk about movies with my friend and also a amazing critic |
0:46.8 | a voice of film Amy Nicholson. Welcome Amy. |
0:50.3 | Oh Paul welcome welcome to. We are starting our Oscar Best Picture Series, which I am very, very excited about just to go in, look at what one in the past, examine why and how how we felt about it and do we stand by that choice today |
1:05.3 | and we are starting with Amadeus for a very good reason. |
1:09.0 | Two very good reasons. |
1:10.3 | One, this is a movie that was kicked off the AFI list, put on, kicked off, Justice Ramea's, we've always |
1:16.9 | want to go back and cover it. |
1:18.6 | And two, Paul, I cannot think of a better movie to kick off this best picture winner series. |
1:24.3 | I mean this is a movie that questions the very nature of are we able to spot genius in |
1:28.6 | the moment or do we gravitate toward politically friendly salariest mediocrity. |
1:35.0 | Well, I am ready to break this down. |
1:37.0 | I'm also ready to look at this movie from the point of view of the Hollywood system. how we made this movie, the cultural |
1:44.8 | phenomenon of it and the choices that were made. This could have been a movie that |
1:49.5 | was made in a very big way, but instead we see a lot of craftsmanship in the choices made here there are a lot of |
1:56.4 | independent choices made in a big blockbuster there really are I mean just the casting alone really going back and appreciating the bold |
2:04.4 | casting moves that meelish foreman made here. I am astounded that this movie existed at all. |
2:09.6 | We'll also be looking at the fallout of careers. Did this help hurt? |
2:13.8 | You know, what does a movie like this do |
2:16.7 | when it becomes all-encompassing? |
... |
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