An Introduction to Krautrock / Amon Düül II Pt II

No Dogs in Space

The Last Podcast Network

History, Music, Music History

4.8 • 2.3K Ratings

🗓️ 14 September 2023

⏱️ 91 minutes

🔗️ Recording | iTunes | RSS

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Summary

Marcus and Carolina continue our Deutsch voyage through the German Experimental Rock revolution, picking back up in the late 1960's with Amon Düül II and the leadup to the release of one of the most groundbreaking records of the Krautrock movement, the psychedelic masterpiece Yeti. Taking us out is Sullest - All My Shit at TJ’s As always, Follow Marcus on Spotify to listen to all of the songs heard in this episode

Transcript

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0:30.0	I'm not ready, I'm not ready, so it be so it so we start so it begins so it
0:44.3	begins so it begins ladies and gentlemen no no it's in space the show is
0:48.7	beginning I know I know a lot of podcasts can do 10 minutes of you know banter
0:54.9	in the beginning of stuff but I've got let's just start they can do it they choose
1:02.1	to do it I don't think they can help but doing it but here at No Dogs in
1:05.0	Space we get right to the fucking business welcome to the show I'm Marcus Parks
1:09.3	I'm Carolina D'Algo let's get on to Amindle 2 part 2 so when we last left
1:16.4	Amindle 2 in September of 1968 they'd split off from the music commune for
1:21.8	reasons both practical and ideological as Chris Carr put it there were three
1:26.3	revolutions happening at this time musical sexual and political the Amindle
1:31.2	commune he said were originally a part of the musical revolution but as the
1:35.0	community grew the politics began to take over and the original creative spirit
1:39.8	was getting submerged he went on to say that the last straw was when it was
1:43.8	quote unquote decided that everyone in the commune was a musician including
1:48.0	the children irrespective of the results that always happens when your little
1:52.5	brother has to be included in stuff no you hand them the controller that's not
1:58.2	plugged in and you pretend like they're a part of it you don't give them a
2:02.1	guitar the bongo drummers are not plugged but they're still very loud I know but
2:09.1	this was irrespective of the results children anyone doesn't matter everyone's
2:14.9	got to be in it eventually some of the serious musicians in the commune
2:18.4	essentially decided that they wanted to be in a band of talented musicians
2:22.1	more than they wanted to live by strict dictates because as keyboard player
	...

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