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🗓️ 4 February 2020
⏱️ 49 minutes
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Anthony Veasna So reads his story from the February 10, 2020, issue of the magazine. So is an MFA Candidate in Fiction at Syracuse University. His writing has appeared in n+1, Granta, and ZYZZYVA. This is his first piece of fiction in the magazine.
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0:00.0 | This is the writer's voice, new fiction from the New Yorker. I'm Deborah |
0:09.4 | Treisman fiction at the New Yorker. On this episode of the writer's voice, |
0:14.0 | we'll hear Anthony Viasna Soe read his story, |
0:17.0 | Three Women of Chuck's Donuts, |
0:18.0 | from the February 10th 2020 issue of the magazine. |
0:22.0 | So is an MFA candidate in fiction at Syracuse University. |
0:26.0 | His writing has appeared in N-plus-1, Granta, and Zizova. |
0:30.0 | Now here's Anthony Vizna So. |
0:35.0 | Three women of Chuck's Donuts. |
0:40.0 | The first night the man orders an apple fritter. It is three in the morning. The street lamp is broken, and a nightly fog obscures the waterfronts run downdown buildings except for Chuck's donuts with this cool |
0:56.1 | fluorescent glow. |
0:58.4 | Isn't it a bit early for an apple fritter, the owner's 12-year-old daughter, Cayley, |
1:02.8 | Dead Pants from the Counter, and Teavy, four years older, |
1:06.1 | rolls her eyes and says to your sister, |
1:08.8 | you watch too much TV. |
1:11.4 | The man ignores them both, sits down at a booth, and proceeds to stare out the window at the busted |
1:18.2 | potential of his small cities downtown. |
1:22.1 | Cayley studies a man's reflection in the window. |
1:24.9 | He's older but not old, younger than her parents, and his wiry mustache seems misplaced from |
1:31.6 | a different decade. |
1:33.2 | His face wears an expression full of those mixed-up emotions |
1:37.4 | that only adults must feel, like plaintive, say, or wretched. His light gray suit is dishevelled, his tie undone. An hour passes. |
... |
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