4.8 • 847 Ratings
🗓️ 4 April 2022
⏱️ 43 minutes
🔗️ Recording | iTunes | RSS
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0:29.8 | Hi there again, listeners. Jennifer back again with another bonus episode for your listening pleasure. |
0:36.0 | Today's interview features an awesome new book by |
0:38.5 | art historian Barbara Blumick, whose book, Florine Stettheimer, a biography, is the comprehensive |
0:44.6 | book on the artist and establishes her as one of the most innovative creators of the early 20th century. |
0:51.0 | Florine Stettheimer was a feminist, a multimedia artist, who documented New York |
0:55.9 | City's growth as the center of cultural life, finance, and entertainment between the World |
1:01.2 | Wars. During her first 40 years, spent mostly in Europe, Florine Stettheimer studied academic |
1:07.2 | painting and was aware of the earliest modern styles prior to most American artists. |
1:13.0 | Returning to New York, she and her sisters led an acclaimed salon for major avant-garde |
1:18.1 | critical figures, including Marcel Duchamp, Stiglitz Circle, and numerous poets, dancers, |
1:23.9 | and writers. During her life, Stadheimer showcased her innovative paintings in more than |
1:28.9 | 40 of the most important museum exhibitions and salons. She also wrote poetry, designed unique |
1:35.5 | furniture, and gained international fame for the sets and costumes she created for the Avant-Garde |
1:41.3 | Opera, Four Saints in three acts. Stettheimer's work was also socially progressive. |
1:46.6 | She painted several identity-issue paintings, addressing African-American segregation, Jewish bigotry, |
1:53.6 | fluid sexuality, and women's new independence. This biography presents one of the first |
1:59.1 | comprehensive readings of Stettheimer's art. |
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