4.8 • 709 Ratings
🗓️ 31 July 2019
⏱️ 46 minutes
🧾️ Download transcript
This week, we're renovating Trap Set HQ; so we're sharing one of our favorite episodes, featuring the great Carla Azar. This episode was recorded a few years ago. Carla is currently busy with several projects, including a new Autolux album. We'll return in August with some of our most intense episodes to date!
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0:00.0 | Hey everyone, it's Joe. |
0:02.0 | This week, we're doing some maintenance around the studio, |
0:05.0 | so we're revisiting one of our favorite episodes featuring Carla Azar. |
0:10.0 | Carla has been busy in the studio and is currently working on a new album with Autolux. |
0:15.0 | We'll be back in August with some of our most intense episodes yet. |
0:20.0 | See you then. This is Joe Wong. Welcome to the Trap Set, where each week we explore the lives of drummers. |
0:40.0 | I want to play something for you. |
0:41.5 | She fell off a cliff on Sunday. You're hearing |
1:04.4 | You're hearing brainwasher by Autolux, featuring my guest, Carla Azar on drums. |
1:11.1 | Carla arrived in Los Angeles in the late 80s, |
1:14.1 | just a few short years after she first sat behind a drum kit. |
1:18.3 | Soon, her remarkable raw talent caught the attention of legendary producer T-Bone Burnett, |
1:23.4 | and Carla became an in-demand session musician. |
1:33.3 | I see her right to me. and Carla became an in-demand session musician. An extraordinarily versatile artist, Carla has worked with everyone from PJ Harvey to Jack White. |
1:40.0 | But her soulfully bionic style reaches an apex within the context of Autolux, a trio she co-formed in 2001. |
1:49.0 | Aside from her duties as a drummer, Carla also contributes as a singer and songwriter. |
1:54.0 | The band released an excellent new album, Pussy's Dead, last year. |
2:03.6 | And now my conversation with Carla Azar. |
2:16.6 | Because I've done interviews with P.E. |
2:23.1 | This is a different situation because this is like you're like the drummer version of Mark Marin. |
2:27.6 | I can get behind that. |
2:29.6 | Okay. |
... |
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