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ποΈ 21 August 2020
β±οΈ 14 minutes
ποΈ Recording | iTunes | RSS
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0:00.0 | I'm Matt Schreeder and this is a special bonus episode of Blockbuster. |
0:09.5 | Several years ago I had the privilege of meeting James Cameron himself for a film I directed |
0:13.9 | called Score of Film Music Documentary. |
0:16.8 | James had agreed to interview with us, so our small production crew drove down to Manhattan |
0:21.4 | Beach, California, the headquarters of Lightstorm Entertainment, and they let us set up in a giant |
0:26.3 | soundstage filled with props from all of his movies. |
0:29.6 | We saw the loader from aliens to enormous and extremely detailed models of the Titanic, |
0:35.9 | some of the Navi props from Avatar. |
0:38.7 | We were there to talk about the power of music in film, which Score covered extensively |
0:43.3 | in the documentary, but we also stumbled into several touching moments that weren't used |
0:48.2 | in the documentary. |
0:49.8 | Memories of his work and relationship with composer Jamie Horner. |
0:53.7 | Jamie Horner was an avid pilot his whole life. |
0:56.6 | He always loved flying and in June 2015 his plane crashed in the Los Padres National Forest |
1:02.4 | in Southern California. |
1:04.0 | He was 61 years old. |
1:06.2 | In our interview with James Cameron, he shared some of his fondest memories of his working |
1:10.4 | relationship with Horner, who we now call one of the greatest composers who's ever lived. |
1:15.7 | That interview and several of the stories about working with Jamie Horner right after this. |
1:21.2 | Well, you know, James was ambitious right from the get-go. |
1:23.8 | When I first met him, he had just scored a movie called Humanoids of the Deep, or Humanoids |
1:29.4 | from the Deep, maybe, for Roger Corman. |
... |
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