4.8 • 784 Ratings
🗓️ 18 November 2024
⏱️ 19 minutes
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Playwright and performer Sandra Tsing Loh returns to the podcast (after four years!) to discuss her surprise hit play Madwomen of the West, which featured a superstar cast including Caroline Aaron, Marilu Henner, Melanie Mayron, and JoBeth Williams. After the Los Angeles theater establishment deemed the show too woman-centric, Sandra mounted an independent production, which she eventually took to New York and London. She now has a new one-woman show — a 70-minute "You’ll Never Eat Lunch In This Town Again”-style rant — about the “journey” of that production called I’ll Burn That Bridge When I Get To It.
I’ll Burn That Bridge When I Get To It will be performed for just two nights at the Odyssey Theater in Los Angeles. November 16 and November 23. Info and tickets here.
GUEST BIO
Sandra Tsing Loh is the author of several books, including "The Madwoman in the Volvo: My Year of Raging Hormones," which was selected as one of the New York Times' 100 Most Notable Books. Her previous book, "Mother on Fire," was inspired by her hit solo show about Los Angeles public education.
Her off-Broadway solo shows include "Aliens in America" and "Bad Sex With Bud Kemp." Her comic memoirs include The New York Times New and Noteworthy "Madwoman and the Roomba"; The New York Times 100 Notable Books "Madwoman in the Volvo"; "Mother on Fire"; "A Year in Van Nuys"; and "Depth Takes a Holiday." The Los Angeles Times named her 1998 novel "If You Lived Here, You'd Be Home By Now" a 100 Best Fiction Book. An Atlantic contributing editor, Loh has been heard on NPR's Morning Edition, PRI's Marketplace and This American Life. She currently hosts the LAist/NPR daily radio science minute “The Loh Down on Science.”
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0:00.0 | Women who are white or of a certain age, |
0:07.0 | we are the only people of which culture has all, |
0:11.0 | free for all, attack us all the time. |
0:14.0 | And my kids and I do love and will go, |
0:16.0 | you know, that's silencing, silence is violence. |
0:19.0 | To everybody except for women, 50 and up, and it's that age, |
0:23.4 | you may not say anything. |
0:27.7 | Welcome to the unspeakable podcast. I'm your host, Megan Down. My guest, my returning guest, |
0:35.6 | is Sandra Singh Lowe. And in lieu of doing an entirely separate, |
0:40.2 | pre-recorded overkill kind of intro, I'm just going to bring you in right now. You're here |
0:46.1 | right now, Sandra. So welcome. I'm here. It's so lovely to see you on our coast. So you |
0:54.0 | were last on this podcast more than four years ago. |
0:57.2 | I was looking this up. It was September 2020. You were one of the first guests. And it's kind of, |
1:06.0 | it's a little bit weird because what you're here to talk about now, I don't know how it, |
1:10.3 | it links up to what we |
1:11.7 | were talking about before, but it was all about the struggle, as is everything here, how difficult |
1:17.2 | it is to make it. I'm going to, by way of introducing you, of contextualizing you a little bit, |
1:23.9 | but also I think this kind of flows naturally into this conversation. I'm going to read a little excerpt from the show notes from the last time you were here. |
1:33.4 | Okay? |
1:33.9 | So this is what I said. |
1:35.0 | I said, when Sandra Singlow was beginning her career in the 1980s, she modeled herself |
1:40.3 | after avant-garde performance artists like Lori Anderson. |
... |
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