4.8 • 3.4K Ratings
🗓️ 15 July 2022
⏱️ 69 minutes
🧾️ Download transcript
A filmmaker recalls the details of his darkest project: the people who endured it, the illusions he lost to it, and the horrific force that set it all in motion.
With:
Donald Kokoschka – John Jorgenson
Noah DiLeo – Corey Nelson (Rust Belt Gothic podcast)
Mayor - Beth Abdallah (Twelves Chimes It’s Midnight podcast and Odd Salon)
Bill Savoy – Teddy Ray Bullard
Mary Neary – Linda Wojtowick (The Ghosts on This Road podcast)
Lisa Whitelaw – Mig Windows (migwindows.com)
Officer Ekins – Dana Bolton (The Night Terrors podcast)
French Translator - Isabelle Humbert
Ernestine Souza – Naomi Azran
English Translator – Emma Fradd (Sibling Horror podcast)
Music: ‘Ana Yelena’ by Kristian Sensini, ‘Midnight Clear’ by Hans Johnson, ‘Better Now’ by Philip Daniel, ‘Quiet Contentment’ by The David Roy Collective. All rights reserved.
Audio mastering by Les Lentz Audio-Video
Other audio horror by Soren Narnia:
'Outcall' - Episode 15, Alexandria Archives podcast
'Paranormal Appraisal 151' – Episode 20, Alexandria Archives podcast
'Q & A With a Vampire Killer' - Episode 33, Alexandria Archives podcast
'Why Have You Disturbed Our Sleep' - The Bloodlust podcast, October 8, 2017
'Town With a Tranquil Name,' an audiobook on the Those Snowy Nights You Read to Me, They'll Never Be Forgotten podcast, October 30, 2019
Soren Narnia can also be heard on the podcasts 'The Ghosts on This Road', 'Sibling Horror', 'SessionsX,' and others.
Listen to his narration of H.P. Lovecraft's 'The Festival' at the Lovecraft eZine Podcast's YouTube channel.
Listen to the latest interview with Soren Narnia at the Incarnation Read podcast.
https://www.patreon.com/sorennarnia
Art by S. Patrick Brown, https://www.instagram.com/scalawagarts/
Click on a timestamp to play from that location
0:30.0 | Good evening everyone, my name is Leonard Atari and you are listening to the DVD commentary |
0:44.3 | track for my 2021 documentary film DNK as we listen here to the end of the opening credit |
0:53.7 | music. The first question I'm always asked when the movie screens at festivals is of course |
1:02.7 | how did you come to choose this topic and it's very simple really. The droidich scares |
1:10.9 | me. That's as honest a thing as I can say after all the stories I've heard as a filmmaker |
1:17.1 | over 20 years about strange happenings and events that people have told me about traveling |
1:23.2 | all over and even witnessing some disturbing things. It's none of that that scares me but |
1:30.7 | the droidich does. It's the droidich I think about whenever I have to walk across an empty |
1:35.6 | parking lot to my car late at night or whenever I get just a little far out on the nature trail |
1:41.6 | near my house in civil county New York and the light begins to fade. It took almost a |
1:48.8 | year of off and on efforts to get everyone in this film to agree to go on camera so there |
1:53.5 | was research that never seemed to end and then finally in November of 2019 things finally |
2:01.1 | fell into place. We see here the first scene I wanted to open the film with my drive to |
2:06.7 | see this man Donald Cacoshka because it was the opportunity to open it with just a little |
2:12.5 | levity there's an absurdist element to this for me. I'd been warned by the attorney for |
2:20.6 | try to pack the pictures that Cacoshka was likely to pull a reversal on us he was apparently |
2:25.9 | an unpleasant man before the Saturday Ministry incident and made him even colder but of course |
2:33.0 | I had to try since he was one of only four survivors of that day easily the oldest. |
2:37.5 | No matter his attitude we had to try and I wanted to show just how far we had to drive |
2:43.9 | into South Jersey to get to him and this of course is all real I told my camera person |
2:48.5 | Trish will come this to just follow me up onto the porch here and capture everything and |
2:52.7 | when Donald Cacoshka opened the door we have this drama here. We agreed to every part |
... |
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