4.6 • 1.4K Ratings
🗓️ 2 May 2024
⏱️ 47 minutes
🧾️ Download transcript
The filmmaking team of director David Leitch and producer Kelly McCormick are responsible for some of the biggest action movies of the last decade, from JOHN WICK to ATOMIC BLONDE to DEADPOOL 2 and now THE FALL GUY. David and Kelly also happen to be married. They join Josh to talk about their journey through filmmaking and why THE FALL GUY is such a passion project for them both.
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0:00.0 | If John Wick hadn't worked, would you have felt like, |
0:02.8 | I never got to do. |
0:04.5 | Yeah, I mean, I think we were laying it all out on the field. |
0:07.3 | We didn't, you know, we didn't rest. |
0:09.7 | Like, we wanted, that was a small budget movie |
0:12.3 | and we wanted to make sure the stakes were high for us. |
0:15.0 | Like we really wanted to be directors and |
0:19.0 | we wanted to tell these stories and you only get one shot at your first impression and John Wick was it and I'm glad we delivered because it's been a really fun journey to continue telling stories and at this scale now. |
0:32.0 | Prepare your ears humans. |
0:34.0 | Happy, sad, confused begins now. |
0:37.0 | I'm Josh Harrowitz and today on happy, sad, confused, you've probably heard the buzz building and I can tell you it's real. |
0:45.4 | The Fall Guy is one of the most entertaining films I've seen in a very long time. |
0:50.0 | The charisma and skill of Ryan Gosling and Emily Blunt are a big part of that, but today we're going to give props to the real husband and wife team behind it. |
0:57.0 | Producer Director David Leach and producer Kelly McCormick, their combined credits include John Wick, Atomic Blonde, Deadpool 2, and for decades David's bumps and bruises |
1:06.9 | he's accumulated as a stuntman in countless movies you've loved. I am thrilled to welcome |
1:11.5 | Kelly and David to the podcast for the first time today. |
1:15.0 | Welcome guys. |
1:16.0 | Thank you Josh. |
1:18.0 | Yeah, it's good to be here. |
1:19.0 | It's great to have you. |
1:21.0 | Full transparency because like there are no eyes here this is take |
1:23.8 | two on our our podcast sometimes it happens we had a really shitty Zoom |
... |
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