And the motion, the massings and jes threatened to rock and rolls fast and we dance that we turn to the music

we love.

Okay, so when you're doing the Jello Biafra voice, you got to do it from the way in the back of your throat.

And the front of your throat, back your mouth, it comes from the same place as like the David Lynch voice. But like, David Lynch is a, it's back your mouth it comes from the same places like the David Lynch voice

so but like David Lynch is it's the same place but it's a little lower and then

yellow's a little higher how high are you gonna go I can go with high as you walk. Welcome to no dogs in space everybody I'm

Marcus Parks and I'm Carolyn a dog goat. Welcome to Dead Kennedy's part four. Now for this episode the

book sources we used for the first three sort of ran out after fresh fruit for

rotten vegetables. So for these last two episodes we have a whole new source list because Carolina did a huge amount of actual journalism for this series.

And I really don't even know what that means.

It means that you read a whole bunch of different sources and you formed a story through a mini disparate sources.

Oh yeah that yeah I do that.

All right let's go to this list. We used American Hardcore by Stephen Blush,

Our Band Could Be Your Life, by Michael Azerad, Dreadnock, King of Afropunk by D.H.

Poligro, M.C. memoir of a damaged civilization by Dave Dichter,

the collected editions of both the search and

destroy and touching gozines, and a master's thesis by Jonathan Kyle Williams called Rock

Against Racism, the punk movement, cultural hegemony, and Reaganism in the 80s, along with countless articles,

interviews and tour diaries.

That's it.

That's it.

That's all.

...