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The West Wing Weekly

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb

The West Wing Weekly

Joshua Malina & Hrishikesh Hirway

Tv & Film

4.912.2K Ratings

🗓️ 15 October 2024

⏱️ 46 minutes

🧾️ Download transcript

Summary

This week, we're discussing the hilarious — and terrifying—Dr Strangelove.

A few goodies:

George C Scott side-by-side with Tim Robinson (from I Think You Should Leave)

Let us know what you thought of the film, on a scale of 1–10 precious bodily fluids! Join the conversation on our Patreon at patreon.com/thewestingwingweekly.

Transcript

Click on a timestamp to play from that location

0:00.0

You're listening to the West Wing Weekly Political Film Fest. I'm Rishi Keshiroway.

0:11.0

And I'm Joshua Molina.

0:12.7

A few days after we recorded this episode,

0:15.1

James Earl Jones passed away.

0:16.9

It goes without saying that he was a legend

0:18.7

with a long, long list of iconic roles.

0:22.1

We talk about him in our conversation but we just wanted to add this note to Mark

0:26.0

his passing and pay our respects. Today we're talking about the film Dr Strange Love or how I Learned to Stop Worrying and Love the Bomb.

0:35.0

It was written by Stanley Kubrick, Terry Southern, and Peter George.

0:39.6

It was directed of course by Stanley Kubrick and it was released on January 29th 1964 almost two years to the day

0:46.9

give her to take a couple weeks before I was born.

0:50.0

Josh did you know that that release date actually got moved it was supposed to come out earlier

0:54.8

and what happened John F. Kennedy was assassinated. Oh it was supposed to come out in

1:00.2

November it was supposed to come out I think think maybe in December, but the very first public screening

1:05.2

of it was going to be a preview screening on November 22nd, 1963.

1:10.2

Oh, wow.

1:12.0

The movie is based on a book called Red Alert by Peter George, the third credited

1:19.3

screenwriter and Kubrick initially planned to make a pretty straight ahead movie out of the straight ahead serious book on which this is based.

1:30.0

But he kept finding that when he tried to carve out the absurdities of the situation from the book,

1:38.0

he had nothing left.

1:39.0

And there was no way to tell the story without the dark comedy of the reality in the premise.

1:46.3

And I think what's so incredible is that even though it is so funny, all the comedy in the movie

...

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