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0:00.0 | Thanks for downloading the In Our Time podcast. For more details about In Our Time and for our terms of use, please go to BBC.co.uk. |
0:09.0 | I hope you enjoy the program. |
0:11.0 | Hello, throughout history people have taken drugs to alter their perceptions and change their moods. |
0:17.0 | The attractions lie in the promise of instant pleasure, the possibility of heightened perception, or simulated oblivion. |
0:23.7 | Nietzsche said that no art could exist without intoxication. |
0:27.5 | He believed that a dream-like state was an essential precondition to superior vision and |
0:31.8 | understanding. |
0:33.0 | Scientists such as Humphrey Davy experimented with drugs, so did Freud. |
0:37.0 | But artists and writers from the Quincy to Coleridge to Huxley have found drugs to be both a creative |
0:42.2 | and a destructive force in their lives and work. |
0:45.0 | Coleridge said in his poem about opium, |
0:47.0 | Fantastic Passions, Maddening Brawl and shame and terror overall. |
0:53.0 | The world of drugs is a world of ambivalence and paradox. |
0:56.0 | It's a world of clarity and confusion, |
0:58.0 | stimulation and stupefaction, medicine and poison, vitality and death. |
1:02.0 | Can drugs really stimulate creativity? |
1:05.0 | That's what we're going to talk about. What's the impact of drugs on the mind? |
1:08.0 | Are we talking about the special relationship where medicine becomes a positive stimulant for some scientists and artists. |
1:15.0 | With me to discuss the history of drugs of Richard Davenport Hines, historian and author of the |
1:19.2 | pursuit of oblivion, a social history of drugs. |
1:22.3 | Sadie Plant, writer and author of writing on drugs, and Mike Jay, historian |
1:26.4 | and author of Empress of Dreams drugs in the 19th century. Mike Jaye, just to begin with what could be called the most common drug in this country, |
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