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Ebony and Irony: Georden West

Ebony and Irony

Starburns Audio

Comedy, Comedy Interviews

4.81.8K Ratings

🗓️ 28 October 2022

⏱️ 58 minutes

🧾️ Download transcript

Summary

This week, Bunny talks to writer/director Georden West about the film Playland to tell the story about the Boston bar. Bunny plays a role in the film and talks about preparing for her Operatic lipsync on set. Learn more about your ad choices. Visit megaphone.fm/adchoices

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0:00.0

Starbeams, come here!

0:30.0

Starbeams, come here!

1:00.0

Jordan, it is Lady Bunny, how wonderful to be reconnected with Jordan West, who directed me in a major motion picture.

1:21.0

Well, a feature film, let's say that. How are you, Jordan? We're here to discuss play-layer.

1:27.0

I haven't seen you since last September.

1:31.0

Yeah, I know, it's been a whole year.

1:33.0

Do I just look at your older or younger?

1:37.0

Well, your hair is darker, but mine is grayer, so whatever, you know.

1:44.0

I know, but no, I just am so grateful to get to talk to you, and still, it was an amazing opportunity to get to direct you in our major motion picture.

1:57.0

Well, you know, I mean, it was lots of fun for me, too. In this film, Playland, I am not playing Lady Bunny, so that might be different for some people.

2:10.0

But I spoke with Russell, the producer, and he told me that someone was telling him after seeing a rough cut that, you know, in the film, I lip-sync to an opera number.

2:20.0

And I was so worried about it, because I didn't, you know, it was in German, for what thing?

2:25.0

And, you know, it was a lip-sync for your life situation, and I thought I was going to be dead.

2:30.0

But they said that when they saw the lip-sync, they were impressed by my breathing, and it was like an opera singer's breath, and you actually gave me a lesson, or two, with an opera singer from New York City to kind of like, you know, help me out with that.

2:49.0

So that was much appreciated. I enjoy being pushed in different directions. It's, you know, we all need some of it, don't we?

2:57.0

Yeah, yeah, I mean, I think when people see the film, we always get comments about how believable that lip-sync is.

3:07.0

It's like every time we screen it, they're like, oh, is she singing? And I'm like, no, but you are that believable.

3:17.0

So, and that's, you know, that's a sign that you did a fabulous job.

3:23.0

Well, I hope that rings true for other opera musicians. I don't know, it's because I'm not one, but I look forward to seeing it.

3:32.0

Now, you know, I was, I was kind of giggling because I did struggle with the music a little bit. There was one other song that I had trouble hearing what the different notes in the song, because it was a choral arrangement.

3:47.0

And I was like, is this the notes changing? Where does it? And then you all said, you all need to come in at different points. I was like, oh, it's finally you gave me an easy one.

3:54.0

And I was so glad when you filmed that scene with me kind of in the background. So if I got one wrong, it would, it would be blurred.

...

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