BBC Sounds Music Radio Podcasts Sunday the 5th of May 2019 it's about 8 o'clock

we're actually 807 in the evening just getting dark. They won't be coming for a while

yet if they come at all tonight. I won't know until I hear the dogs they can smell them

or sense them and they start growling and barking. I went back to the police today and

once again they took down all the details and said they'd look into it but they're

humoring me. They think I'm soft in the head. They won't do anything. So I'm leaving

this account of my own and I'm doing it all on a no tape machine because nothing digital

seems to survive proximity to my visitors. The only one I just know is Will Moth or the

others. I either think I'm mad or they know I'm not because they've been co-opted by these

things. Walter Brown watches me every time I leave the house. I think he's been trying

to get in that night with the others and the broadcast is back. It switches frequency

every few days so someone must be manipulating it. I tried to play it to Will Moth but it

wasn't broadcasting when he came. I'm going to record it if it comes on again. I told

the police about that as well and they said they'd look into it meaning that they'll do

nothing. I suppose I should cam myself lucky they haven't sent them many white coats

around. I'm going to feed the dogs and then secure the house for the night. This is Henry

A. Clee. May the fifth, over and out.

If you're just joining us I recommend you go back to episode one of this series and

start at the beginning. I'm not going to promise if it will all make sense but it might

at least give you some context for what you just heard and what comes next. At the end

of the last episode Kennedy Fisher and I went back into Henry A. Clee's house. Despite

our misgivings about the circumstances of his disappearance and his apparent connection

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