Hello, everybody. Welcome to Jumping in Elevator the Podcast, where I'm Mike from the World's

Most Successful YouTube Channel. Yes, you can look it up in the Guinness World of Records.

I talk about things you want to know more about, but you can't be able to googling yourself.

Last few episodes haven't really followed that trajectory per se, etc. e.g. Exactly.

This one's kind of a hybrid, because I'm going to be talking about my experience in corporate.

But I think that kind of fits the thing, because it's like if you want to know more about corporate,

how do you find out? You can google it. You've got to miss Cora, but then maybe you want first-hand

experience, and that's what I'm here to give. Okay. A couple of updates. First update, I'm sitting

on a stool, which is camp. Me sitting on a stool is camp. I'm sitting on a stool because I wanted

to show off my wall. If you're listening to this, basically, what's going on is, I have a wall

behind me, which if you watch my YouTube videos, you would have seen the M sign, which apparently

people didn't realize that the M is an M. They thought I just put a random shape behind me for

lights. Besties know, it's an M for Mike, because that is my name. Great. So we've got the M

lights. She's giving Neatlin, of course. When is she not? Then I've started putting up stuff

around the M. So I have one of my favorite drag queen posters, and then I've got my YouTube plaque.

Then I've started putting magazine covers and magazine shoots of all my faves. So at the moment,

I'm just looking in the camera thing, so I'm trying to get these right that I can see. But you can

see Tyler, you can see Charlie, Taylor, the Taylor Swift Wonderland shoot. You don't understand, like,

Taylor has never looked better. If you look up Tech Swift Wonderland shoot, what was that noise?

Was that me? I don't know. She's giving the girls mullet. She's giving the girls sweaty face.

She's giving the girls eyeshadow, and it's everything that we want and more. So shout out to

Wonderland for that magazine shoot. It was really giving the give. And then we've also got this,

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