4.8 • 688 Ratings
🗓️ 3 April 2024
⏱️ 74 minutes
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0:00.0 | Spectrevision Radio |
0:02.0 | Welcome to Weird Studies, an arts and philosophy podcast with hosts Phil Ford and J.F. Martel. |
0:20.0 | For more episodes, or to support the podcast, |
0:23.3 | go to weirdstudies.com. Welcome to Weird Studies. This is JF. |
0:51.3 | When you co-host a podcast with the tagline, |
0:55.8 | Art and Philosophy, at the limits of the thinkable, you probably shouldn't be surprised when |
1:00.8 | someone calls you pretentious. Fortunately, I'd built up some immunity to that particular |
1:06.2 | complaint long before Phil and I launched Weird Studies. It was in the tenth grade that the P-word was |
1:12.1 | first hurled at me. It hurt because it was true. Today, however, when I read a review describing |
1:18.7 | our show as somewhat pretentious, it doesn't hurt at all, again, because it's true. I guess I've come |
1:26.2 | to understand that nothing new happens in culture without a modicum of |
1:30.0 | pretension, by which I mean that the emergence of good creative work necessarily hinges on |
1:35.7 | someone, somewhere, deciding to become what they aren't, deciding to pretend, in hopes of |
1:41.9 | transplanting something from the realm of the merely possible to that |
1:45.9 | of the actual, with no guarantee, of course, that it will survive the procedure. |
1:51.9 | Take, for instance, Pierre Riv Martel's latest musical project, ephemera, a 10-hour-long, |
1:57.7 | quote, experiment in sonic immersion and long-form music, |
2:02.5 | combining field and archival recordings with modular synthesis and acoustic instruments. |
2:07.9 | This episode features an excerpt from the ninth piece in Pierre-Rive's series, |
2:13.2 | a rendition of a Bach Cereband played on the harmonium. |
2:17.5 | How's that for pretentious? |
2:19.6 | As you may know, Pierre Rive is our resident composer and performer. |
... |
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