4.9 • 689 Ratings
🗓️ 25 May 2020
⏱️ 114 minutes
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0:00.0 | It's the dearly departed podcast, featuring your host, historian Scott Michaels and filmmaker Mike Dorsey. |
0:19.5 | So it's episode 21. |
0:23.6 | Here we are. |
0:25.1 | We just keep charging through them. |
0:27.8 | And today I think we're doing your favorite movie, right? |
0:31.8 | Yes, absolutely. |
0:33.3 | I think the greatest movie ever made personally. |
0:35.5 | That's for me. |
0:37.0 | Yeah, Sunset Boulevard. |
0:39.7 | I don't know that this number one for me, but it's definitely top 10, maybe top five. |
0:44.3 | And I watched it again last night, and it's just one of those films that's amazing from beginning to end. |
0:49.4 | Like, none of it's wrong. |
0:51.7 | I know, right? |
0:52.3 | It is like everything that is terrible about Hollywood, |
0:58.0 | and yet wonderful. And, uh, and so got it. It's just, you know, I was, I was, uh, I was reading |
1:04.9 | one of the reviews on this thing. And, uh, and this guy had it down. If you don't mind, |
1:09.7 | I mean, before we get into this, I just want to read this. |
1:12.2 | It was, his name is Richard Coralus. He's a film writer, and he describes it. He says it's the |
1:18.9 | definitive Hollywood horror movie, noting that almost everything in the script is ghoulish. He remarks |
1:25.0 | that the story is narrated by a dead man whom Norma Desmond first mistakes |
1:29.2 | for an undertaker while most of the film takes place in an old dark house that only opens its |
1:34.9 | doors to the living dead. He equates Max with like the phantom of the opera. Norma Desmond is like |
... |
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