meta_pixel
Tapesearch Logo
Classic Ghost Stories

Episode 35: The Horla by Guy de Maupassant

Classic Ghost Stories

Tony Walker

Fiction, Drama, Science Fiction

4.9686 Ratings

🗓️ 15 February 2020

⏱️ 67 minutes

🧾️ Download transcript

Summary

The Horla by Guy de MaupassantWelcome to Episode 35 of the Classic Ghost Stories Podcast!What would really help me would be if you could think of one friend or acquaintance who would enjoy the Classic Ghost Stories Podcast and share it with them! If every listener is helpful enough to do this for me, then we would double the podcast every week!Imagine that!The StoryToday’s story is a famous French short-story by a prolific and highly regarded author: Guy de Maupassant. In fact, he was known as the father of the short story!Guy de MaupassantDe Maupassant was a famous French short-story writer born in France in 1850, who died aged only 42 in 1893 in Paris. He is buried in Montparnasse cemetery.De Maupassant was considered a master of the short story form and his first story, set in the Franco-Prussian War Boule de Suif (A Ball of Suiet) was published in 1880 and is a great story. You may not know that the use of ‘de’ in front of the name (like von in German) indicates noble birth and De Maupassant’s mother urged his father to secure the right, from an ancestor, to so style himself.De Maupassant’s father was violent to his mother and the young lad was witness to this. His mother had the courage and support to separate from his father because of the violence and De Maupassant and his brother went with her. As this was the 1850s or so, this was very rare and very brave of his mother.At school, De Maupassant became friends with Gustave Flaubert. And he saved the life of the English poet Algenon Swinborne from drowning.As a profession, he was a newspaper editor and wrote fiction in his spare time. The HorlaThe Horla was first published in 1887, and is set in 1867 near Rouen in Normandy, France. The narrator is obviously a gentleman — a man of leisure who comes to believe that he is haunted by a monster, which later reveals its name as ‘The Horla.’ This is a nonsense word pronounced in French without the H- (so why then include it, monsieur de Maupassant?) but which I have chosen to pronounce in English with an h.De Maupassant was said to suffer from a mental illness and I recognise the symptoms of anxiety he describes at the beginning but which has become so advanced so that it develops psychotic features — in this case the delusion of the invisible being. There are clear paranoid elements, in that he believes the Horla is a superior being come to replace mankind. There is an example of the secondary rationality that you see in psychosis, where after the clearly irrational primary psychotic insight, in this case that he is possessed by the Horla, then rationality kicks in to explain how this could be so. In his case, he links it to a weird psychic vampire epidemic in Brazil and deduces he was infected when he saluted the Brazilian ship that went by on the Thames, before which he was fine. The power of the the Horla is the same domination of will shown by Dr Parent who hyptonises his cousin Madam de Sable.It all makes perfect sense, but of course is delusional.He shows relatively little remorse for burning his servants alive, I must say, though it wouldn’t be out of the way in many cases of paranoid psychosis that he believed them in on it. Though in this story they clearly aren’t.So, the Horla probably draws on De Maupassant’s real experiences of being mentally ill, but fictionalised. It is possibly this reality that makes the story quite unnerving. I remember being very disturbed by it when I read it first in my teens.MesmerismMesmerism or Animal Magnetism was brought to public attention in the 18th Century by the German doctor Franz Mesmer. It was a fairly weird theory of magnetic fluid, but I’mSupport the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Transcript

Click on a timestamp to play from that location

0:00.0

The Hohler

0:08.0

The Haughty by Guy de Mopasson.

0:13.0

You tried to get into the locked drawer today, didn't you?

0:17.7

How do the dead come back, mother?

0:20.0

What's the secrets of it? The Hauler by Guy de Mopasson.

0:26.1

Translated by Charlotte Mandel.

0:29.8

May the 8th, what a wonderful day.

0:33.4

I spent all morning stretched out on the grass in front of my house,

0:37.1

beneath the huge plain

0:38.2

tree that completely covers shelters and shades the lawn.

0:42.4

I love the country here, and I love living here because this is where I have my roots,

0:47.2

those profound and delicate roots, that attach a man to the land where his ancestors were born

0:52.6

and died, and that attach him to what one

0:55.4

should think and what one should eat, to customs as well as to foods, to local idioms

1:00.6

and peasant intonations, to the smells of the earth, of the villages, of the air itself.

1:08.3

I love my house. I grew up in it. From my windows I can see the sen flowing along the whole

1:14.2

length of my garden, behind the road, almost in my backyard, the great wide seine, which goes from

1:20.3

Rouen to Le Avre, covered with boats passing by. To the left over there, Ruon, the vast blue-roofed

1:26.9

city beneath the peaked crowd of Gothic bell-towers.

1:30.5

They are countless slender or broad, dominated by the iron spire of the cathedral,

1:35.9

and full of bells that ring in the blue air on fine mornings, carrying towards me their gentle, distant metal drone.

1:43.6

Their bronze song the breeze carries

...

Transcript will be available on the free plan in -1872 days. Upgrade to see the full transcript now.

Disclaimer: The podcast and artwork embedded on this page are from Tony Walker, and are the property of its owner and not affiliated with or endorsed by Tapesearch.

Generated transcripts are the property of Tony Walker and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.

Copyright © Tapesearch 2025.