4.9 • 686 Ratings
🗓️ 29 February 2020
⏱️ 76 minutes
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0:00.0 | Everybody dies, don't they? |
0:10.4 | Everybody come back, isn't that? |
0:14.4 | You tried to get into the locked drawer today, didn't you? |
0:17.1 | How do the dead come back, mother? |
0:19.9 | What's the secret? A Wicked A Wicked |
0:23.0 | Voice by Vernon |
0:24.5 | To M.W. |
0:28.5 | In remembrance of the last song at Palazzo Barbaro |
0:32.1 | Kiha Intenza. |
0:36.5 | They have been congratulating me again today upon being the only composer of our days, |
0:42.2 | of these days of deafening orchestral effects and poetical quackery. |
0:46.6 | He was despised the newfangled nonsense of Wagner, |
0:50.0 | and returned boldly to the traditions of Handel and Gluck and the divine Mozart, to the supremacy |
0:56.6 | of melody and the respect of the human voice. O cursed human voice, violin of flesh and blood, |
1:04.2 | fashioned with the subtle tools, the cunning hands of Satan. O excreable art of singing, have you not wrought mischief enough |
1:13.4 | in the past degrading so much noble genius, corrupting the purity of Mozart, reducing |
1:19.6 | handle to a writer of high-class singing exercises, and defrauding the world of the only |
1:24.8 | inspiration worthy of Sophocles and Euripides, the poetry of the |
1:29.2 | great poet Gluck. Is it not enough to have dishonoured a whole century and idolatry of that |
1:35.1 | wicked and contemptible wretch the singer, without persecuting an obscure young composer of our |
1:41.1 | days, whose only wealth is his love of nobility in art, and perhaps |
1:46.6 | some few grains of genius. And then they complement me upon the perfection with which I imitate |
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