You know, I want you to know that, like, I understand the way you feel with an extremely

amount of empathy. I am getting a little tired of asking for a triangle. We're

navigating it the best we can. It's just a shitty situation, but I'm mostly

getting over her. I'm not here for it. I'm just not. I just don't like hearing

about this love triangle spat constantly over and over again. I want to be there

for a borough, but if it just becomes a repetitive cycle, it's gonna drive me

fucking crazy. There's a whole lot of Bush are going on and fed up with it.

Fed up. Melissa, let's go to the coach and we'll get a shot here.

And I got some tea. Watch out for trapdoors.

I just figured the Queen's had already said it. I didn't need to say anything.

I was just like gesture to Eva and Melissa. That's what I have to say about the

love triangle. I am so uninterested in this. I just don't find it fun. I don't find it

even like campy. I just can't get into it. Yeah, yeah. And it really, I mean,

oh yeah, yeah. And I had to keep that little clip at the end of Kendra being like,

hey, Melissa, let's go to the culture and get a shot. I thought, oh, that's that,

but that we love that like a schmack D transition, you know, that can

instill you for a second kind of moment. Yeah, no, absolutely. The focus this season on

this love triangle is an odd choice. And I'm now questioning the editors, these story producers,

because I just don't know why they think we want this. My, you know, what I'm thinking,

because I tend to, I don't know, I feel like the Dracula story editors and whatnot. There's,

there's like an intention there. I feel like there's a reason like Dracula isn't the type,

hasn't been the type of show to really like meditate on this kind of like shallow boring drama.

...