I think the issue here is there's a lack of accountability happening. Melissa, you don't

want to take accountability for the fact that you turn into a fucking raging bitch on camera.

You don't like the security of you being a brat. It took this low.

Okay, it takes time. Here I am. It takes time. Here she is. She might not have the time.

You might not have the time. The sound bites are popping today.

The question here is like how does this relate to why you should stay? Because it's important.

I don't give a fuck at this point. Do I go home? I fucking go home.

All right, then go. Everything is building up and at this point I want to quit.

I want to quit. The reality is that no one's innocent in this situation, even Melissa.

There's been multiple moments where I've seen her go off and have conversations about people

behind their backs too. You're still family. Please don't like shut out. I don't want you to feel like

we don't have your back. All right, we'll just let her go. Just let her do what she needs to do.

So I feel like there is a lot going on in this clip and the reason I chose it is A,

obviously it's like at this peak moment of drama and the cauldron and in the industrial hallway

outside of the cauldron. But that but also I think within this there's all these layers of reality.

From Koko or Hoso acknowledging a lot of sound bites this week. There's that self-awareness.

There's Vicki saying to Melissa like well you're a bitch whenever the cameras are on and then

there's like why is Melissa really upset and then there's like who's still doing the TV show?

Is Eva still kind of doing what she's supposed to do in the cauldron as a character on TV?

Let her go. Just let her go. Let her do her thing.

Then a PA shows up and it's kind of like oh the fourth wall breaking and here's you know

Melissa, Melissa talk to me but it's also like talk to me the cameras right here.

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