4.8 • 847 Ratings
🗓️ 20 December 2021
⏱️ 44 minutes
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0:31.8 | Season 10 of the Art Curious podcast is sponsored by Anchorlight. For more information about their |
0:37.2 | programs and residences, please visit Anchorlight. For more information about their programs and residences, |
0:38.9 | please visit Anchorlightrolly.com. There are lots of questions that come up in every art history |
0:46.0 | classroom or lecture hall, and we hear them again and again. What is art, really? And how do you |
0:52.9 | define it? Why is the Mona Lisa smiling? What happened to the winged victory's arms? And then there's another one that you'll hear, or that you'll even think yourself, especially if you are a fan of a particular Renaissance master's work. It's a question that I have personally heard being asked point-blank in class and whispered |
1:13.3 | in sacred spaces in Rome and in Florence. Visitors straining their necks to stare up at a ceiling |
1:19.4 | and others sneaking peaks at gleaming marble tombs have asked this question. Why? They wonder. |
1:26.1 | Why are Michelangelo's women so, well, so unwomanly? |
1:32.2 | The colossal sibyls and Old Testament heroines that Michelangelo painted on the ceiling of the |
1:37.2 | Sistine Chapel in Rome, for example, and his marble personification of night on the tomb of |
1:43.0 | Giuliano de Medici in in Florence have many of the same |
1:46.2 | attributes. Essentially, these ladies are cut. The Cumae and Sybil has bigger guns than most pro athletes, |
1:54.0 | and Knights got a six-pack in quads so large that it looks like she spends her downtime on the elliptical. |
2:00.8 | Michelangelo's ladies have the most beautiful, angelically pure faces. But when stripped down, |
2:07.1 | many of them look very, very muscular, to an extent that they almost appear manly. And then, |
2:13.5 | there's the problem of knight's left breast. The thing looks almost tacked on, like a misshapen afterthought. |
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