The year is 2004 and it appears this is my first podcast in two years.

The film?

Did you try to listen to it?

I'm Amy Nicholson.

And I am Paul Sheer and this is the podcast where we are endeavoring to find the hundred greatest films of all time.

And when we do, we're going to shoot that list into outer space.

And if you've been with us on this journey, you know that we've been going through different genres, kind of skimming the surface, finding different types of films that just move us.

And right now we are in a very loving relationship with this genre.

It's about couples and couple goals and how fitting that we are doing this episode right around Valentine's Day because this movie starts or does it on Valentine's Day?

Oh, where does it start?

I mean, it starts there, but does it relationship start there?

So many levels, so many levels, Amy.

You and I talked about this last week.

We haven't seen it in a long time.

No, no, I haven't seen it in a long time. I mean, I think I haven't seen this movie since the period in which Charlie Kaufman became my absolute favorite writer and director.

He was already one of my favorite screenwriters when this movie came out, but after this, he directed I'm in love with him as a director.

So to go back to him as a writer, writer is a new feeling for me.

I was excited to rediscover the person that I think is the greatest brain making movies today.

And so, you know, in a series where we're talking about couple goals and the range of shades that entails happy couples couples were just meeting each other couples who are fighting couples were no love couples who are friends picking out what they are.

I love how this one folds in because eternal sunshine when it was being made was nicknamed when Harry forgot Sally.

Oh, I love that. That's great.

Also, just a heads up, check out what we're doing on our social media because we are tweeting a lot of your information back out into the world. People have been coming to us with observations with behind the scenes footage.

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