4.3 • 2.6K Ratings
🗓️ 30 January 2025
⏱️ 27 minutes
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Ghana has a reputation for staging some of the most eccentric funerals in the world – boasting extraordinary displays of colour, dancing, deep rooted history, and a strong association with Ghanaian royalty. Hannah Ajala takes the listener on a compelling aural journey as she uncovers the stories behind this unique and complex tradition.
In West Africa, end of life celebrations are a far cry from those in the Western world. Each funeral can take weeks or months to plan and they are often more lavish – and expensive - than weddings. Funerals are an essential part of paying respect to the departed.
Hannah travels to the cultural capital of the country, Kumasi, to witness a Ghanaian funeral first hand. She delves into the significance of these ancient traditions: the dancing, the dress code, the burial and final funeral rites as well as the role played by the ‘talking drums’.
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0:00.0 | Ah, Kumasi, Komasi. |
0:07.0 | It's nice to be back. |
0:10.0 | The last time I was here was for one of my best friends' grandma who passed away. |
0:17.0 | And this was my intro to big funerals in Dana. |
0:28.3 | I'm just trying to find my fixer here in Kumasi |
0:39.6 | and my kind driver's helping with the directions. |
0:45.5 | Hey! |
0:46.3 | It's very nice to be here with you again, Ned Faye. |
0:50.4 | What is your whole perception of funerals in Ghana? |
0:54.6 | The first funeral I attended was my grandfather's funeral. |
0:59.3 | You know, they dressed him. |
1:01.3 | He was sitting down. |
1:03.5 | I mean, you know, the person is dead, |
1:05.7 | but assuming the posture of someone alive. |
1:08.9 | What? |
1:09.6 | Yeah. |
1:10.1 | A deceased person sat on a chair. |
1:12.9 | He was sitting with an African dekenterclough wearing jewelry's beautiful regalia on him. |
1:20.8 | So that was how the first funeral I witnessed was for me. |
1:25.4 | And I love it, actually. |
1:29.7 | We're going to talk about that. |
1:33.8 | Welcome to the documentary from the BBC World Service. |
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