4.2 • 3.7K Ratings
🗓️ 11 February 2025
⏱️ 23 minutes
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0:00.0 | So, Jim, if he can join me in a three, two, one clap for sync purposes, that would be... |
0:06.2 | See, I'm already thinking, why is it useful for how it's both clapping at the same time? |
0:10.3 | Would you just want me going three, two, one? |
0:13.2 | Because your sound person is going to have two claps at the same time, and that's only going to confuse them. |
0:17.5 | Anyway, that's my... |
0:18.6 | Mr. Mangold. |
0:20.2 | Yes. |
0:20.6 | Oscar nominated director. We got him here. |
0:22.7 | Right. All right. Here we go. |
0:24.7 | Intro now. |
0:25.9 | I'm Gilbert Cruz, |
0:36.3 | editor of the New York Times Book Review, and this is the book review podcast. |
0:40.9 | I'm talking to some of the people behind this year's Oscar-nominated films, and today I'm here with James Mangold. |
0:48.9 | James has had a truly wide-ranging career directing westerns like 310 to Yuma, superhero films such as the |
0:57.2 | Wolverine and Logan, you don't want to do this. Classical sports dramas like Ford versus Ferrari, |
1:02.8 | and action adventures like Indiana Jones and the Dial of Destiny. |
1:07.7 | What are you doing here? |
1:10.0 | Rescue you! |
1:13.1 | In 2005, he released Walk the Line, a film about the life of musician Johnny Cash, |
1:18.4 | and this year, he tackles another American master. |
1:22.2 | Oh, where have you been, my blue-eyed son? |
1:26.9 | His film A Complete Unknown, which looks at Bob Dylan and his formative years in early 1960s New York City |
... |
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