4.8 • 1.9K Ratings
🗓️ 31 January 2024
⏱️ 41 minutes
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The Irish poet, Jessica Traynor, explores one of Frank’s favourite subjects – ageing performers who don’t know when to quit. The collection referenced is ‘Pit Lullabies’ by Jessica Traynor. The cycle of poems referenced is ‘An Island Sings’. The poems referenced are ‘The Parent’s Song’, ‘Song of the Insomniac’ and ‘Nureyev in Dublin’.
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0:00.0 | Hello and welcome to Frank Skinner's poetry podcast. |
0:08.0 | This week I want to look at a collection of poems called Pitt Lollabies and that collection was |
0:17.7 | published in 2022 and it is a collection of poems written by Jessica trainer who is a Dublin-born poet who I like a great deal and so I want to share my excitement about her work with you guys. |
0:39.2 | I'm going to begin by saying that a friend of mine recommended a poem to me, actually a poet to me, |
0:50.0 | and then waited my reply and after a couple of days I called back and said |
0:56.7 | sorry but I found him a bit too understandable and he was slightly irate at this but what I meant was that it was easy to get to most of the meaning in the poems and then I didn't find the really important hard bit at the core. Some poems have the hard bit on the |
1:28.4 | outside like some sort of carrot pace. The way it works with Jessica Trainer in my experience of her work |
1:35.2 | is that it feels quite straightforward when you read it and then you get deeper and deeper and |
1:41.5 | it gets more and more exciting. I read an interview |
1:44.8 | with Jessica Trainer. She is a woman who has written for opera, written for the |
1:52.0 | theatre, she teaches creative writing, she is a journalist, she does |
1:59.2 | reviews of poems, she does a lot. And interestingly, she said that working in the theatre had an influence |
2:10.0 | on her poetry because the theatrical writer has to and I quote explore big complex themes |
2:20.1 | using language that sounds natural. |
2:25.0 | And that's what she tries to do with her poetry, |
2:28.0 | to avoid being self-consciously poetic, |
2:32.0 | as she puts it and to use her literal voice and it is a tremendous |
2:37.6 | skill of the dramatic writer that they get across really big themes but if the characters |
2:45.6 | talk in high-for-luted and complex ways the whole thing can collapse so So it's a real skill, language that sounds like people talking, |
2:57.3 | but enormous concepts being discussed. And I think that is how Jessica's I'm going to call her Jessica I've never met her |
3:06.2 | But I'm going to call her Jessica that is how her poetry works for me |
3:11.9 | So this collection pit labies, there is a cycle of poems called |
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