4.2 • 1.1K Ratings
🗓️ 3 April 2025
⏱️ 35 minutes
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0:00.0 | Welcome to Intelligence Squared, where Great Minds meet. I'm head of programming, Conor Boyle. |
0:05.4 | Today's episode is part two of our recent live event, which recently took place at London's |
0:09.8 | Kielm Theatre with Ian Leslie and Tom Holland, about the world's most influential creative |
0:14.7 | relationship, Lennon and McCartney. This conversation is coming to you in two parts, and if you're |
0:19.9 | an Intelligence Squared member, |
0:21.2 | you can get access to the full conversation at free. |
0:24.3 | Head to Intelligencequare.com slash membership to find out more, or hit the IQ2 extra button on Apple. |
0:31.9 | Let's rejoin Ian Leslie now with more. |
0:35.2 | They both did words and they both did music and that was constantly confusing to people |
0:39.2 | and had to be explained a lot. |
0:40.8 | And the sense that they're doing that is obviously the basis of their relationship. |
0:45.4 | Yeah. |
0:45.7 | Which is why you fix on one song in particular as being potentially quite destructive of that, which is yesterday. |
0:57.0 | Yes. |
0:57.3 | And we talked about the effect it has on Paul, which is basically, he says, I'm brilliant. |
1:02.4 | I can't. I really am a genius. |
1:04.0 | I'm amazing. |
1:05.5 | But you also, you're brilliant in the book in talking about the effect on John. |
1:09.8 | And later on in the book, you say that yesterday almost becomes a kind of synonym in John's mind for Paul. So just what is the impact of yesterday, which is, of course, written entirely by Paul and recorded entirely by Paul. What is the impact of it on John? |
1:30.8 | I think it triggers his insecurities about Paul leaving him, you know, essentially, leaving the partnership, |
1:40.3 | or changing the partnership, you know, or even leaving the group and becoming a solo star, |
1:46.7 | John was somebody who always worried and was deep about people leaving him, you know, since childhood |
... |
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