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Desert Island Discs

John Sessions

Desert Island Discs

BBC

Society & Culture, Music Commentary, Music, Personal Journals

4.413.7K Ratings

🗓️ 25 February 1990

⏱️ 38 minutes

🧾️ Download transcript

Summary

The castaway in this week's Desert Island Discs is, by his own account, very difficult to classify - his talents span comedy, writing, acting and improvisation. He has appeared in the television adaption of Porterhouse Blue and can be heard on Spitting Image as the voice of Norman Tebbitt and Lord Olivier. He has also appeared in the West End as Napoleon, as well as playing nearly forty supporting roles. He'll be talking to Sue Lawley about his meteoric rise to fame since he abandoned the academic world just eight years ago.

[Taken from the original programme material for this archive edition of Desert Island Discs]

Favourite track: Symphony No 2 -The End by Gustav Mahler Book: David Copperfield by Charles Dickens Luxury: A 78rpm record of The Laughing Policeman (to smash on the rocks)

Transcript

Click on a timestamp to play from that location

0:00.0

Hello, I'm Krestey Young, and this is a podcast from the Desert Island Discs archive.

0:05.0

For rights reasons, we've had to shorten the music.

0:08.0

The program was originally broadcast in 1990, and the presenter was Sue Lawley. My cast away this week is an entertainer. On television you may have seen him as Zipsa, the sexually retarded

0:35.1

academic in Porter House Blue, or heard him as the spitting image of Norman Tebit and Lord

0:40.0

Olivier. On the stage he's enjoyed great acclaim playing Napoleon and about 40

0:44.8

characters in the supporting cast as well. Good going you'll agree for a man who

0:49.0

began his professional career only eight years ago. His success lies in his individuality.

0:55.1

Accurate observation, born out of wide reading and quickness of mind, gives him all

1:00.1

the characters he needs as an actor, comedian, writer and mimic.

1:04.7

He is John Sessions.

1:07.1

A John of all trades, they say on the stage at least.

1:09.6

Is that how you like it or do you find yourself John beginning to lean towards one particular

1:13.7

bit of your talent? Well I'm not quite sure what to do at the moment because I've

1:18.4

always I always felt certainly through the first few years it was good to get her finger into as many pies as possible.

1:25.5

Then after a while you wonder whether you've dissipated your energies and perhaps you should just concentrate on the one thing for example I go with improvisation

1:34.8

then you think oh dear then you'll be like you know Percy Edwards as down as the man who does

1:39.7

the bird impersonations and there was that lady who used to tear up telephone books and

1:44.0

they'll say oh he's a little bloke with a big nose who makes it up which sort of puts you

1:48.2

out of the running for Hamlet although I'm not sure I've been the running for Hamlet but but do you have a fear of being

1:54.7

slotted nevertheless I mean pigeonholes yes and not quite sure how to go about

2:00.0

subverting that or changing that perception of me, you know.

2:03.4

But I do keep trying to do different things while being aware, oh dear, should I just stay with

...

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