How much of that drove your decision to get into producing and to be more in the driver's seat,

perhaps, of this creation?

I think a lot.

And I think it was, again, quite natural for me because I started to produce things that I wasn't a producer on just by nature.

Because, and again again it probably goes back

to my my my parents in many ways but like I don't know how to let something just not be good if I

see like if I see something happening I can just go well that's not my problem you know what I

mean like I'm like which is really hard by the way yeah I mean I I mean? Like, I'm like, which is really hard, by the way.

Yeah.

I mean, I, I'm the person who will be like, you know, if, if you just move that a little

bit, you might, and you know, if you move that to the left, you might have, you know,

and they'll go, everything I say is great, but I started to, um, feel comfortable

enough to, you know, sort of have more of a voice in certain areas or, you know, and,

and to sort of feel like my opinion on things outside of just my role was, had some validity

or I could share it and see sort of what people

thought because I think when you're an actor like you you feel limited this is your lane

you don't get out of your lane a lot of actors love that because I don't want to be out of my lane

like this is a good one I don't want to I don't want to veer off left or right and I'm like no but

I want to see like the whole landscape you know know, like that's super exciting to me to see

the horizon. Like my lane's cool, but like I want to see the whole thing. And that was really kind

of the genesis of like wanting to be a part of the entire process rather than just limited to one piece of it. So it's kind of that collision of things. And then it was my,

well, my husband's, he's so incredible. He's so, he's really like my biggest, like champion.

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