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🗓️ 12 December 2024
⏱️ 36 minutes
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0:00.0 | You are listening to a Clarksville magazine podcast with your host and narrator, Kate Baker. |
0:08.7 | Greetings to Clarksville citizens and welcome to our third story for the month of November, issue 218. |
0:14.6 | I do hope this podcast is finding you well. |
0:18.0 | And as always, thank you for your ongoing support. Whether you've been with us from the beginning |
0:22.3 | or this may be your first podcast, welcome. And if you've supported us financially, with either |
0:28.8 | by going to patreon.com, for slash Clarksworld or Clarkshouldslicans.com, or you've purchased a subscription. |
0:36.2 | You keep us going each and every month. |
0:38.7 | We cannot thank you enough. |
0:40.4 | So if you haven't yet been able to do so, please think about it. |
0:44.8 | It helps us put out these fabulous issues each and every month. |
0:48.7 | Speaking of fabulous issues, this story is titled |
0:51.7 | Luminous Glass Vibrant Seeds and and is by D.A. Jowlin Spires. |
0:59.0 | D.A. Jowlin Spires steps into portals and reappears in sites such as New York, Hawaii, various parts of Asia and elsewhere, with her keyboard appendage attached. |
1:08.3 | Her work appears in publications such as Clark's World, Analog, |
1:11.2 | Strange Horizons, and Anthologies of the Strange and Beautiful, MakeShift, Deep Signal, and Sharp |
1:17.9 | and Sugartooth. Her works have been selected for the year's top robot and AI stories, |
1:22.9 | and the year's top tales of space and time stories, with poetry nominated for the Reisling, Best of the |
1:28.8 | Net and Pushcart Awards. She has a PhD in socio-cultural anthropology and has conducted |
1:34.6 | National Science Foundation-funded research. Her multifaceted writing reflects her interest in food |
1:39.9 | systems, ecology, technology, and society. She has multiple stories in Clark's world, including |
1:45.8 | a bunch of nonfiction as well, so I encourage you to go read all of that. So with that said, |
1:52.0 | I hope you can sit back, relax, and let me tell you a story. |
... |
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