4.8 • 3K Ratings
🗓️ 12 December 2024
⏱️ 44 minutes
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In 1770, 14-year-old Archduchess Maria Antonia of Austria arrived in France to marry Louis XVI. As Marie Antoinette, she became the ultimate diva of her time; rebelling against the the rigid protocols of court and crafting a unique visual identity; wearing men's clothing and sporting excessive elevated hair. How then did her adoring public turn on her and condemn her, leading to her execution?
Professor Suzannah Lipscomb is joined by Professor Caroline Weber to discuss the royal influencer who dressed like a royal mistress, and whose lavish attire cost her her life.
Presented by Professor Suzannah Lipscomb. The researcher is Alice Smith, audio editor is Amy Haddow and the producer is Rob Weinberg. The senior producer is Anne-Marie Luff.
Theme music from All3Media. Other music courtesy of Epidemic Sounds.
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0:27.6 | Hello, I'm Professor Susanna Lipscomb and welcome to not just the Tudors from History Hit, |
0:33.3 | the podcast in which we explore everything from Anne Berlin to the Aztecs, |
0:37.7 | from Holbein to the Huguenots, from Shakespeare to Samarise. |
0:43.1 | Relieved by regular doses of murder, espionage and witchcraft. |
0:47.6 | Not in other words just the Tudors, but most definitely also the Tudors. |
1:07.7 | Today we're venturing deep into the 18th century, and who else could we start with? |
1:13.4 | In 1770, at the age of 14, the Viennese Archduxie Maria Antonia arrived in France to marry the heir to the French throne, Louis Auguste, later |
1:19.3 | Louis XVI. Fashion had long been its own currency at the French court of Versailles, |
1:25.5 | and with the royal match, the young woman, now called by a French |
1:28.5 | version of her name, Marie Antoinette, found that her body, political and intimate, had become |
1:34.3 | public property. The young Dauphine, and from 1774 Queen, rebelled against the rigid |
1:40.3 | protocols of the court, building her own visual identity by adopting typical male |
1:44.8 | riding attire to participate in the royal hunt and rejecting the traditional robe of la Francés |
1:50.1 | for a star later known as the chumise at a rene. She was a royal wife who looked like a royal |
1:56.3 | mistress. Her attire came at an incredible cost, and eventually her adoring public would come to turn on her for the very excesses they had once exhorted. |
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