4.8 • 1.4K Ratings
🗓️ 10 July 2024
⏱️ 65 minutes
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SEASON 2 - EPISODE 97 - MARK JOHNSON - PRODUCER
Producer Mark Johnson (THE HOLDOVERS, BETTER CALL SAUL, GALAXY QUEST) joins us on this episode of the Team Deakins Podcast. After growing up in Spain and a brief stint as an extra on DOCTOR ZHIVAGO, Mark worked in commercials in New York City before finding his way into the Directors Guild of America’s Assistant Directing training program. Mark later survived William Friedkin’s globe-trotting production of SORCERER, emerging from the dirt and mud having risen to the position of 2nd AD, and eventually broke into producing with director Barry Levinson’s DINER. During our discussion, we learn how Mark finds projects to produce and what he looks for in projects brought to him. Mark also reflects on the varying styles of directors and how he personally defines the responsibilities of a producer. We also learn how Mark shepherded GALAXY QUEST (a favourite of ours) into existence, and he shares a number of insights into the journey of its development, production, and release. We later learn how Mark first met writer Vince Gilligan and of their long-term professional relationship that led Mark to producing BREAKING BAD and BETTER CALL SAUL, and he reflects on the differences between working in television versus film. Mark is responsible for introducing us to director Denis Villeneuve before we worked together on PRISONERS, and it was a pleasure to be able to catch up with him in this episode.
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This episode is sponsored by Aputure
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0:00.0 | Hi and welcome to season two of the Team Deacons podcast, a collection of |
0:08.8 | informal conversations between Roger and James Deacons and a guest. |
0:13.0 | We never know where the conversation will take us, |
0:16.0 | so listen in and see where it goes. |
0:19.0 | This episode is sponsored by Aperture, a global company pioneering LED lighting technology for cinema with cutting edge hardware and software solutions. |
0:33.2 | Recently, Aperture expanded its lighting ecosystem |
0:36.6 | with the new Infinomat series of mat lights. |
0:39.8 | They offer unmatched output, IP65 weatherproofing, and full pixel control over DMX. |
0:47.0 | Discover more about the Infinemats and Aperture's lighting ecosystem ature.com. |
0:54.0 | Today we're speaking with a producer. |
0:58.8 | His credits are many and include the holdovers, Good Morning Vietnam, and diner as well as impressive TV credits, |
1:06.4 | among them Breaking Bad and Better Call Saul. |
1:09.6 | We're pleased to welcome Mark Johnson. |
1:12.0 | Mark, thank you for doing this. Yeah. No, I'm so happy to be here. |
1:16.3 | As I pointed out, both of you did me a gigantic favor when I was running the Academy's Foreign Language Film Selection Committee. |
1:25.0 | So I'm glad to return it. |
1:27.0 | I've been looking forward to this, so this is hardly a chore. |
1:32.0 | Ha ha, well good. heartly a chore. A chore. |
1:33.0 | Well, good. |
1:35.0 | The first question we want to ask is, how did you get to where you are today? |
1:40.0 | Is this something that you always thought you wanted to do were you bossy as a kid or did |
1:45.4 | you go in a different direction and then find it later what's your story? |
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