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🗓️ 8 December 2023
⏱️ 5 minutes
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Mary Jo Salter is the author of eight books of poetry including The Surveyors (2017) and, most recently Zoom Rooms: Poems (2022). She is also a lyricist whose song cycle “Rooms of Light: The Life of Photographs" was composed by Fred Hersch. Her children’s book The Moon Comes Home appeared in 1989; her play Falling Bodies premiered in 2004. She is also a co-editor of The Norton Anthology of Poetry (4th edition, 1996; 5th edition, 2005; 6th edition, 2018).
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0:00.0 | Welcome back to the Daily Poem, a podcast from Goldberry Studios. I'm Sean Johnson, and today is Friday, |
0:06.7 | December 8th, which means Christmas is just around the corner. That also means, among many |
0:12.7 | other things for you, probably, that you can expect to hear a good number of winter and |
0:19.6 | advent-themed poems sprinkled throughout our daily poem selection, |
0:24.6 | followed inevitably by a good dose of Christmas poetry. |
0:30.3 | The first of those is today's poem by Mary Jo Salter, entitled simply Advent. |
0:37.4 | It's a little bit longer, so I'll say a few words about it now and then close. I marry Joe Salter entitled simply Advent. |
0:42.1 | It's a little bit longer, so I'll say a few words about it now and then close out the episode with a reading of it. |
0:44.4 | I have some personal affection for this poem because of its subject. |
0:50.2 | I grew up as an only child and raised by a single mom who had to work pretty hard to support us. |
0:59.4 | And at Christmas time, that meant things were a little stretched. |
1:06.1 | And my mom always worked really hard to have a few solid, reliable holiday traditions to keep us grounded, I think to keep me grounded. |
1:19.2 | But because time was tight and everything else was tight around the holidays, Sometimes those traditions were few and far between, |
1:30.1 | but that meant that the few we were able to maintain |
1:33.4 | are always that much more important to us both. |
1:38.0 | I also love this poem for a more general reason, |
1:41.4 | and that is that good poetry usually takes a concrete story or experience |
1:49.1 | and turns it inside out so that it becomes a universal experience or leads to a kind of universal |
1:56.9 | insight. This poem plays with that by taking a very concrete particular story, |
2:05.6 | that of the Virgin Mother and her child, which in turn became for mankind, a very universal |
2:14.6 | story or a story with universal implication and application. And she |
2:22.1 | leads us back through that story in order to arrive at a very particular or peculiar |
... |
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