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Desert Island Discs

Michael Crawford

Desert Island Discs

BBC

Society & Culture, Music Commentary, Music, Personal Journals

4.413.7K Ratings

🗓️ 24 December 1999

⏱️ 37 minutes

🧾️ Download transcript

Summary

Sue Lawley's guest this week is Michael Crawford. Renowned for his attention to detail, he has always performed his own stunts - whether roller-skating under moving lorries in Some Mothers Do Have 'Em, or walking the tightrope in the musical Barnum. A consumate professional, he admits to escaping from his hospital bed, where he was recovering from exhaustion, so the show could go on! [Taken from the original programme material for this archive edition of Desert Island Discs] Favourite track: Gloria from Mass in B Minor by Johann Sebastian Bach Book: The complete book of self-sufficiency by John Seymour Luxury: Pen and paper

Transcript

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0:00.0

Hello, I'm Kirstie Young and this is a podcast from the Desert Island Discs Archive for rights reasons

0:06.2

We've had to shorten the music. The program was originally broadcast in

0:10.8

1999 and the presenter was Sue Lolley

0:31.0

My costume this week is an entertainer. His versatility he can sing, dance, act and perform acrobatics have made him an international star.

0:40.0

The child of a war widow from the Isle of Shepi, he's come a long way since he adopted his professional name off the side of a biscuit fan.

0:48.0

He was playing leading roles in the West End and British films and had appeared alongside Barbara Streisand in Hello Dolly by the time he was 30

0:56.0

and then as the hapless Frank Spencer and some mothers do have him on BBC television he endeared himself to the whole nation

1:03.0

and he went on in shows such as Billy, Barnum and Phantom of the Opera to demonstrate his dedication to his art of which he says

1:11.0

I am in the paradoxical position of being in a profession I love but which forces me to confront my worst nightmare

1:19.0

making a fool of myself in public. He is Michael Crawford, Michael I can't believe that you're worried about making a fool of yourself in public.

1:27.0

Well I think there's always the possibility of it happening every time you stand in front of an audience and I prefer to work in the theatre than I do to work on film

1:39.0

because it's the interaction between an artist and their audience is so exciting, it's so thrilling, it's organic.

1:48.0

So you like putting yourself on the line but what you're saying when you say you don't like making a fool of yourself

1:53.0

what you mean is you want to make a fool of yourself properly, you want to do it to perfection.

1:58.0

It has to be organised and not crazy about the word perfection because it's always spat out and it's not a terrible word

2:08.0

to try and do one's best is what I was always taught and so I've always tried very hard.

2:14.0

It's funny you flinched so because it has been used against you, hasn't it?

2:18.0

It has kind of a pejorative sense.

2:20.0

Somehow your attention to detail, your demands of everybody that it be absolutely right was never a joke and never easy.

2:28.0

No, I mean comedy isn't funny. It's a very serious business.

2:34.0

But do you think you've taken it more than many? I mean there are stories and they are legion of your dancing on bleeding toes

2:41.0

so to be getting out of your hospital bed because the show must go on.

...

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