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Capehart

Mickalene Thomas on Black women’s place in the western art canon

Capehart

The Washington Post

News, News Commentary, Politics

4.61.4K Ratings

🗓️ 6 April 2023

⏱️ 31 minutes

🧾️ Download transcript

Summary

In this conversation first recorded for Washington Post Live on April 6, artist Mickalene Thomas discusses her work celebrating the beauty of Black women, her exhibitions around the world and the power of seeing Black people engaged in leisure and relaxation.

Transcript

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0:00.0

I'm Jonathan K. Part and welcome to K. Part. Black women occupy such a fraught place

0:06.1

in American society that Malcolm X's words from 1962 sadly still ring true today.

0:13.2

He said quote, the most disrespected person in America is the black woman.

0:19.3

Challenging the negative perceptions that undergird that disrespect has been the focus

0:23.4

of many an artist for decades.

0:26.2

In this conversation, first recorded for Washington Post's Live on April 6th, we're turning

0:30.9

the spotlight on one of them.

0:33.2

McElene Thomas has been called an artist for the ages with her work celebrating the beauty

0:38.3

of black women featured in exhibitions around the world, including the Smithsonian.

0:44.0

We not only talk about her art, we also talk about the importance and power of seeing black

0:49.8

people, black women, engaged in leisure and relaxation.

0:57.8

So you know, I didn't realize in the opening montage, we showed a lot of your work and

1:03.7

I didn't realize you were the creator of one of my favorite pieces of art in the Smithsonian,

1:10.5

the reclining black woman with the glittery red shoes in the lips.

1:16.9

Portrait of manga, yes, I love that's a fantastic painting, it really is.

1:24.3

So you know what, in a profile last year, my colleague Robin Goodvon wrote that you depict,

1:30.0

and this is a quote from her, black women in repose, black women indulging in the luxury

1:35.1

of self assurance, black women existing in a world of their own creation.

1:41.0

Just as the black women in the painting, we were just in the work we were just talking

1:44.8

about, how did black women become your muse?

1:48.2

I think that's a very important question when you're thinking about the trajectory of my work

1:56.6

and where I've come from and where I am today, I think it has a lot to do with my personal

...

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