4.3 • 1.6K Ratings
🗓️ 10 December 2024
⏱️ 58 minutes
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0:00.0 | Today's episode is a conversation with Mindy Sue, an American designer and researcher whose work focuses on public engagement with digital archives. |
0:17.5 | She is best known for her book, The Cyberfeminism Index, and is currently a professor in the Department of Design Media Arts at UCLA. |
0:26.5 | We spoke with Mindy about a feminist history of the internet, the role of sex workers in the making of new technologies, |
0:32.9 | the idea of algorithmic visibility, and the future of gender sexuality on the internet. |
0:42.0 | So, Mindy, you're actually in the midst of a pretty long tour for your book right now, |
0:48.6 | the Cyber Feminism Index. |
0:51.1 | So maybe like a good place to start is, for the layman, not me, of course. What is |
0:58.5 | cyber feminism? What is your definition of cyber feminism? So for me, cyber feminism kind of goes |
1:05.2 | back to the origins of its names. This prefix, when cyberspace was coined, it was in William Gibson's Neuromancer, |
1:13.1 | the science fiction novel. And this book was really important. It kind of predicted the sensory |
1:18.6 | networked online landscapes that everyone's talking about today with Metaverse and etc. |
1:23.1 | But it was also very characterized by the male gaze. So you have Fbots and cyber babes and depictions of women in like assistant or robotic-like roles. |
1:33.2 | So when women were then moving into personal computing in 1989, VNS Matrix and Sadie Plans coined the phrase cyberfeminism as a way to kind of provoke what cyberspace |
1:48.5 | could be. And then you have all these feminists and marginalized communities creating these very |
1:55.0 | techno-utopic or dystopic spaces. So for me, cyberfeminism is really about that provocation. How can we critically use |
2:03.1 | technology? And what does feminism really look like in a digital landscape? Okay. So it's safe to say |
2:09.4 | it's like feminism in the cyberspace. Exactly. Okay. I guess that's pretty obvious. And then I guess |
2:15.2 | part of it, if I'm understanding right, is also kind of like a co-opting almost. |
2:20.6 | So that's really interesting, I think, in the context of something like social media or an OnlyFans. |
2:27.3 | Like I think OnlyFans is a great example of that because it's now being used almost for not the opposite of what it was intended for, but mostly for sex workers. |
2:36.7 | And then on social media, like, I guess if I'm thinking about like Instagram specifically and just the way that, |
2:45.4 | because like the whole genesis of this podcast was the fact that we got kicked off of Instagram. |
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