5 • 1.4K Ratings
🗓️ 28 February 2022
⏱️ 60 minutes
🧾️ Download transcript
Sex, politics, and rock n roll. This week, Deborah and Kristin look at episode three “Mine,” written by Alan Ball and directed by John Dahl. They explore all the sex, magic, and vampire politics in the True Blood world. They also discuss the show’s score and soundtrack with the music masterminds themselves, Nathan Barr and Gary Calamar.
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0:00.0 | Welcome to Truest Blood, the official True Blood podcast. |
0:15.0 | I'm Kristen Bauer and I'm Deborah Amole, and you've been invited in. |
0:22.0 | I want to do bad things here. |
0:28.0 | You're a trueist blood. |
0:34.0 | Welcome back to Truest Blood, where we sink our fangs into the series episode by episode. |
0:40.0 | Episode 103. |
0:43.0 | Oh, so good. |
0:45.0 | It's called Mine. |
0:47.0 | It's written by Alan Ball and directed by John Doll. |
0:51.0 | This episode was all about sex and magic. |
0:55.0 | So we'll talk a little bit about what that means in the True Blood world. |
0:59.0 | Uh-huh. |
1:00.0 | It means a lot in this world. |
1:02.0 | And vampire politics. |
1:04.0 | We're finding out a lot about this world, the hierarchy and the structure. |
1:08.0 | It's fascinating. |
1:10.0 | Yes, and speaking of structure and magic together, we are also going to be interviewing Nathan Bar |
1:16.0 | and Gary Calabar, who were in charge of the score and the soundtrack respectively for the show. |
1:22.0 | So they've got a lot of really interesting things to say. |
1:24.0 | Yeah, they really informed us how to feel about every moment. |
1:28.0 | Yes. |
1:29.0 | But first, this week on True Blood. |
... |
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