4.8 • 1.4K Ratings
🗓️ 25 December 2024
⏱️ 61 minutes
🔗️ Recording | iTunes | RSS
🧾️ Download transcript
SEASON 2 - EPISODE 121 - Mohammad Rasoulof - Director
On this episode of the Team Deakins Podcast, we’re joined by director Mohammad Rasoulof (THE SEED OF THE SACRED FIG, THERE IS NO EVIL, A MAN OF INTEGRITY). Mohammad’s films have come at great personal cost, both to himself and his fellow filmmakers, and as deep admirers of his work, we were thrilled to speak with him. After learning how Mohammad found his way into filmmaking, we discuss how he outmaneuvered the Iranian regime’s censorship apparatus to covertly make many of his films, and Mohammad reflects on his pivot from using metaphorical cinematic language to using a far more direct language to create images of modern Iranian society. Frequently imprisoned for his films’ clear-sightedness of his country, Mohammad shares how he was forced to repeatedly watch his 2020 feature, THERE IS NO EVIL, with his prison guards, and we discuss the pedestrian origins of the four-part film about the country’s death penalty. We also learn that Mohammad’s films have never been screened publicly in Iran, and he reflects on his films acting as “cinematic boomerangs” that play internationally and find their way back to his Iranian audience through the country’s black market. We later discuss the symbolic imagery present in the beginning and end of THE SEED OF THE SACRED FIG, and we learn his reasoning as to why he finally fled from Iran for good after the film’s completion.
Translation conducted by Iante Roach.
-
Recommended Viewing: Every Mohammad Rasoulof film
-
This episode is sponsored by Aputure
Click on a timestamp to play from that location
0:00.0 | Hi and welcome to Season 2 of the Team Deacons podcast, |
0:07.0 | a collection of informal conversations between Roger and James Deacons and a guest. |
0:13.0 | We never know where the conversation will take us, so listen in and see where it goes. |
0:19.0 | This episode is sponsored by Aperture. listen in and see where it goes. |
0:28.8 | This episode is sponsored by Aperture, a premier manufacturer of LED lighting with the industry's greatest variety of fixtures for your complete lighting needs. |
0:33.8 | Aperture recently announced the new storm family of lights. |
0:38.0 | With LED white light quality that matches natural daylight and classic tungsten bulbs, |
0:43.7 | plus extreme low-end dimming while maintaining color quality. |
0:48.4 | Discover more about the new storm lights and the complete Aperture lighting ecosystem at Aperture.com. |
0:58.8 | Today we have a special guest. |
1:01.4 | We're speaking with an Iranian director whom we admire greatly. |
1:05.4 | His films and the stories they tell are not only well made, but they come at great personal cost. Because he tells |
1:12.9 | stories that reflect reality in Iran, he's been jailed multiple times and currently has left his country. |
1:20.0 | His films include There Is No Evil, The White Meadows, a Man of Integrity, and this year's, |
1:27.0 | the Seed of the sacred fig. |
1:28.9 | We're pleased to welcome. |
1:30.9 | Mohamed Rasselof, we'll be speaking with the help of an interpreter. |
1:35.5 | Thank you, Muhammad, for doing this. |
1:37.3 | Thank you, welcome. |
1:38.6 | Thank you so much, and thank you for invite me in this program. |
1:45.6 | Yeah, I mean, the first thing we'd like to ask you, |
1:48.4 | we've read quite a bit about you and watched as many films of yours this week. |
... |
Transcript will be available on the free plan in -95 days. Upgrade to see the full transcript now.
Disclaimer: The podcast and artwork embedded on this page are from James Ellis Deakins, and are the property of its owner and not affiliated with or endorsed by Tapesearch.
Generated transcripts are the property of James Ellis Deakins and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.
Copyright © Tapesearch 2025.