4.8 • 2.6K Ratings
🗓️ 1 December 2021
⏱️ 51 minutes
🧾️ Download transcript
Saying “I love you” for the first time takes courage, especially when you don’t know the response you'll get. But being open with your emotions and putting yourself out there can change you in unexpected ways.
In Pyotr Ilyich Tchaikovsky’s Eugene Onegin, it’s the 16-year-old Tatyana who pins her heart on her sleeve. Young and naive, but also fiercely confident, she pours out her feelings for the visiting Eugene Onegin in one night of impassioned love-letter-making. His answer defines the rest of her life, and the course of the opera.
Host Rhiannon Giddens and her guests explore Tatyana’s famous Letter Scene and what it tells us about Tchaikovsky, Russian society, and the nearly universal experience of unrequited love.
Soprano Renée Fleming is one of the most acclaimed singers of her generation, singing across genres from classical to Broadway to jazz and more. Of all the roles she’s performed, the shy and soulful Tatyana is the one she relates to best. She loves the Letter Scene because it allows her to act out the intense emotions of a teenager who’s fallen in love for the very first time.
Dr. Philip Ewell is a professor of music theory at Hunter College of the City University of New York, where he specializes in Russian music, 20th-century music, race studies in music, and more. He trained as a cellist in Russia during and after the collapse of the Soviet Union, and has spent seven years total living there. He loves to teach Eugene Onegin to his Russian opera seminar through the lens of Avril Lavigne’s “Sk8er Boi.” (Trust him, it works!)
Tim Manley is a writer, illustrator, storyteller, and educator. He performed his story “I Need You To Know” with The Moth in 2015, where he now leads storytelling workshops. He found that opening up about his feelings in front of an audience transformed his life. Tim also created the web series The Feels, which was nominated for an Emmy. He is currently working on a young adult novel.
Click on a timestamp to play from that location
0:00.0 | I might die, but I'm gonna write a letter. |
0:06.2 | Because I'd rather not live in a world where I can't express myself and let the chips |
0:13.0 | fall in the way they may. |
0:14.4 | From WQXR in the Metropolitan Opera, this is Ariacode. |
0:20.0 | I'm Rianne Gittens. |
0:21.5 | She just pours out her heart in this letter telling him that she loves him and she's begging |
0:27.7 | him to really see her. |
0:29.7 | Every episode, we peel back the layers of a single Arya so that we can see what's at its |
0:34.1 | core. |
0:35.1 | Today it's the letter scene from Eugene Oñagin by Trakowski. |
0:39.2 | I think at every moment that we either say something or don't say something, we are defining |
0:46.0 | who we are. |
0:59.7 | So there was this relationship that I was in and it was a long distance relationship. |
1:04.2 | So we relied a lot on digital communication. |
1:08.2 | Phone calls, a lot of texting. |
1:09.9 | We were very big textures. |
1:12.4 | We were reaching that point in the relationship where you know it's like you really care about |
1:17.5 | this person and it's time to say it. |
1:19.7 | You've been thinking it forever and now you actually want to say it. |
1:24.2 | For us, when that time came, we were apart and so I remember very vividly saying it, |
1:31.8 | the L word, love, I love you. |
1:35.3 | I said it over text and anybody who's been in this situation where you're saying something |
... |
Transcript will be available on the free plan in -1170 days. Upgrade to see the full transcript now.
Disclaimer: The podcast and artwork embedded on this page are from WQXR & The Metropolitan Opera, and are the property of its owner and not affiliated with or endorsed by Tapesearch.
Generated transcripts are the property of WQXR & The Metropolitan Opera and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.
Copyright © Tapesearch 2025.