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'80s All Over

Patreon Bonus #41 - Jason Bailey

'80s All Over

Scott Weinberg and Drew McWeeny

Comedy, Tv & Film

4.6800 Ratings

🗓️ 9 October 2018

⏱️ 74 minutes

🧾️ Download transcript

Summary

Drew is flying solo for this episode while Scott soaks up Fantastic Fest, but that doesn't mean he's without friends: Film critic Jason Bailey steps in to talk about his favorite and most formative '80s films, and the conversation is made all the better for the fact this is literally the first time, after years and years of talking and swapping stories online, that these two wordslingers are having a real life, real-time conversation about cinema, and they take that opportunity to do what they both do best. Go on some serious DEEP DIVES into their favorite films.

Transcript

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0:00.0

Hi everyone,

0:10.0

I'm happy

0:11.0

speaker

0:14.0

I can hear you

0:16.0

here on this mountain top

0:19.0

Oh, oh, oh, oh I've got some wild

0:22.4

Hi everyone, welcome to a very special bonus episode for you Patreon on subscribers here at 80s all over.

0:29.0

I'm Drew McQueenie.

0:29.8

I am not joined by my co-host Scott Weinberg this week because he is fantastic festing.

0:35.4

So while he's right now watching Flash Gordon with everybody

0:38.8

there at the Alamo Draft House, I am joined from New York by the one and only Jason Bailey, a long

0:45.3

time online friend who I'm excited to finally speak with tonight. Jason, thanks very much for being here,

0:50.8

sir. Drew, thank you so much for having me. And it's such a, such a pleasure to be on one of my favorite podcasts. Oh, thanks, man. Well, I am excited because

0:59.0

I, one of the things that excites me about doing 80s all over is the notion of deep dive

1:06.6

sort of film criticism, which I don't think there's enough of. And I think a lot of what you write

1:13.0

is deep dive stuff where you get intrigued by an idea or a notion or a through line with stuff.

1:19.8

And to me, that's some of the most exciting kind of archaeology that we do is film critics,

1:25.1

because that's where you start to draw connections or

1:27.5

see bodies of work or realize that an idea plays itself out. And right now I know you're working on

1:32.8

something about New York. To me, that is one of the most exciting things about that is watching

1:39.4

the city change as one of the most filmed locations in the world. Yeah, no, big time. I mean, that was really

1:47.0

what kind of drew me to it originally was the idea that I am of the opinion that every movie

...

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