4.6 • 2K Ratings
🗓️ 20 May 2021
⏱️ 45 minutes
🧾️ Download transcript
Making photographs regarding the important social issues of our day should not only be in the hands of photojournalists working for large news organizations. Greg Constantine and Monica Lozano, our guests on this week’s episode of the B&H Photography Podcast as well as past guests of our program, distribute and exhibit their work outside the familiar “news” outlets. Both use their photographic work to address the stories of migrants, and both have spent the last two years documenting the human consequences of the United States’ ever-changing immigration policies. We welcome them back to discuss the specific work they have produced and how they disseminate their images.
Monica Lozano is a respected fine art and documentary photographer who grew up in Texas and Mexico. Her work deals with issues of immigration, normally from a slightly abstracted and decontextualized, yet emotionally powerful, vantage point. For her recent series, “The Camps,” however, Lozano went directly to the refugee camps that began to appear in her hometown of Juarez, Mexico in 2019. Her images tell the stories of the stranded asylum seekers by documenting the conditions they lived in and the community they developed. We speak with Lozano about her working process before and during the COVID pandemic.
Greg Constantine, prior to joining us on a 2018 episode, had spent years in Asia documenting the Rohingya refugee crisis and other “stateless” peoples. Over the last three years, he has worked on a project about the U.S. immigration detention system. With grant funding and his own money, he has traveled the country creating a comprehensive yet personal document, taking photos and videos, and interviewing numerous detainees and their families. His work came to fruition in the journal Seven Doors, which has an online component, a print version, and exhibits in pop-up shows. We speak with Constantine about the difficulty and pride of being his own “author,” about grant writing, about using FUJIFILM and Mamiya film cameras, and about the value of giving away magazines and being a part of a larger community of image makers.
Both Constantine and Lozano are moved by the injustices they see and have made it their lives’ work to document them and to tell the stories of those most vulnerable, and it is our pleasure to shine a light on their hard work.
Guests: Monica Lozano and Greg Constantine
Photograph © Monica Lozano
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0:00.0 | You're listening to the B&H Photography Podcast. |
0:04.0 | For over 40 years, B&H has been the professional source for photography, video, audio, and more. |
0:09.6 | For your favorite gear, news, and reviews, visit us at bnh.com or download the B&H app to |
0:15.4 | your iPhone or Android device. |
0:17.6 | Now here's your host, Alan White's. |
0:20.9 | Greetings and welcome to the B&H Photography Podcast. |
0:23.5 | Today, we welcome back to the program two terrific guests to talk about their continuing |
0:28.2 | photo projects centered on life along the US Mexican border. |
0:32.7 | And in case you're wondering, for today's episode, we are using audio, technical microphones. |
0:36.9 | We want to thank AT for supporting the B&H Photography Podcast. |
0:41.5 | Now, despite sharing similar subject matter, the work of Greg Constantine and Monica |
0:45.8 | Luzano could not be more different in style. |
0:49.0 | Greg joined us in the podcast back in 2018, talking about his photo projects on refugees |
0:53.7 | and stateless people in Asia. |
0:56.2 | And who lives in El Paso, join us in 2019, along with Photography, Steph and Falk. |
1:01.8 | If you missed this episode, please go back and listen to it. |
1:04.4 | You will not be disappointed. |
1:06.5 | Today they're here to update us on their individual projects and share their insight on what they |
1:10.9 | know from living and working at the US Mexican border. |
1:14.6 | And in and around the migrants, the asylum seekers, the detention centers, and the camps, |
1:19.8 | welcome to both of you and thanks for joining us again. |
1:23.1 | That's great to be back. |
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