4.6 • 4.7K Ratings
🗓️ 2 May 2024
⏱️ 69 minutes
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0:00.0 | The year is 1991. It's 100% pure adrenaline. Other guys snored it, jab a vein for it, and some people |
0:08.3 | podcast for it. The movie, Point break. Hello everyone and welcome to Unspoed. |
0:37.0 | I am Paul Shear joined as always by Amy Nicholson. |
0:40.0 | We are talking about great movies and this is truly one of my faves |
0:45.2 | Catherine Bigelow's point break Amy we're gonna get into it. |
0:49.2 | We are gonna get into it we're gonna get into it like a surfboard cutting through the waves man. |
0:55.0 | That's right and we're going to do it because you are one radical son of a bitch and you know this |
0:59.4 | movie I think took a long time for people to appreciate its greatness. Truly, it has always been a film that I think is very high up as far as great action films of the 90s. But in recent years I think we've been |
1:17.0 | able to look at this film as something even deeper than what people saw the first times they saw it. |
1:25.0 | Yeah, I'm really interested to have this conversation with you in this episode because the |
1:29.0 | thing is, films don't change, but audiences change around a film and the audience has changed in a big way around this film |
1:36.1 | I have changed in a big way around this film and I want to explore all corners of that why we take things |
1:40.7 | seriously later that we don't take seriously in the moment. |
1:43.9 | I think of this movie like an Indian dish, which is it's a lot of very strong spices that are put together and they work perfectly. I mean you are talking about truly |
1:58.2 | a rogues gallery full of large, bombastic personalities. |
2:04.2 | I mean, we are looking at truly a who's who of crazy |
2:07.9 | from Gary Busey, John C. McGinley, James Legross, |
2:11.6 | I mean, and the King of it all, Tom Seismore. |
2:15.0 | He was working deep cover until you... |
2:17.0 | You think I like this air, man? |
2:19.0 | You think I like these clothes? |
2:22.0 | My wife wants me to stay at Ramana. |
... |
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