Skippin' on it!

It's tumult, it's tumult, really. I mean, you're, you're standing in the, the, the battlemines.

You're standing in the war cry, but it's tumult, over here.

I mean, it's just a madhouse.

I'm calling people to arms because this tumult isn't going to go away unless we take our battle station.

Is it, is it used more of a bugle? Is it a cornet? Is it a trumpet?

So, it's a bit of a cornet, trumpet, bugle.

Imagine 17, 18 of them. Everyone else we can't spare, they've got a fight.

Oh yeah. But these dudes are up there on the ramparts.

Then you've got like a couple of guys back in the bag on it. Oh, no.

Oh, shut today. You got a fight. Do they know?

I don't, but do they know the guys aren't just practicing?

Oh for sure. If they're practicing, you hear this.

You ever been to Broadway? You probably haven't. You probably haven't been.

But for example, if you go to Broadway, what do you mean you said what I probably haven't?

You seem like kind of like like a bookish guy that doesn't get out of the house.

Like you're not going to go to the show. Are you? You're going to go to Broadway.

Don't, don't, don't, don't, I see you always say bookins, a score in book by.

Right? Yeah, but those guys stand at the back. They don't go to Broadway.

They like, they sit there and self-flagulate while their show is going on on the opening night.

And that's the only time they go. Oh.

And then afterwards the star comes up and goes like, you see what I did, Michael, with your words?

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