4.4 • 13.7K Ratings
🗓️ 31 May 1992
⏱️ 38 minutes
🧾️ Download transcript
The castaway in Desert Island Discs this week is one of the country's favourite actresses - Prunella Scales. She's most easily recognised as Sybil Fawlty, wife of John Cleese, the manic hotelkeeper in the television series Fawlty Towers, but it's a role which represents a very small part of all she's done. Since her debut in Bristol 40 years ago, she has never been out of work, and recently she's scaled new heights with her portrayal of the Queen in Alan Bennett's A Question of Attribution. She'll be talking to Sue Lawley about the problems associated with playing such a well-known and much-loved figure, and also about the rest of her long and successful career.
[Taken from the original programme material for this archive edition of Desert Island Discs]
Favourite track: Ruht Wohl Ihr Heiligen Gebeine by Johann Sebastian Bach Book: Complete works in German by William Shakespeare and The Bible in Russian and a Russian dictionary Luxury: A huge tapestry kit
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0:00.0 | Hello I'm Kirstie Young and this is a podcast from the Desert Island Discs archive. |
0:05.0 | For rights reasons, we've had to shorten the music. |
0:08.0 | The program was originally broadcast in 1992, |
0:11.0 | and the presenter was Sue Lolly. My castaway this week is an actress, she's probably most easily recognised as that epitome of suburban shrewishness, |
0:34.5 | Sybil Falty, wife to John Cleese Manick Hotel Keeper in the television series. |
0:39.3 | That role in fact represents a tiny portion of what she's done. |
0:43.0 | Her versatility has kept her continuously employed since she made her debut in Bristol 40 years ago. |
0:49.0 | But she achieved new heights with a recent theatrical and television role. She played the Queen in |
0:54.0 | Alan Bennett's A Question of Attribution. She is Prunella Scales. Let's deal with the |
0:59.5 | Queen first, Prunella. I mean, am I right in thinking that it was the first time a reigning monarch had been portrayed on the stage? |
1:06.0 | Apparently. |
1:07.0 | That presumably made it really very difficult for you because you would lay yourself open to attacks of of being disrespectful so it better be good? |
1:15.0 | No I think what what it did I mean I assumed that my employers had ascertained that it was legal |
1:20.0 | so I didn't worry too much about that but what it does mean is that the blasphemy factor was absolutely splendid. |
1:25.8 | I mean the fact that it was the first time the actual Queen had been seen on stage where she has never been seen before at the Royal National Theatre no less meant that people were |
1:35.4 | hanging on your every word and it was extraordinarily easy to get the laughs which |
1:39.7 | was a big bonus. I enjoyed it in way less on television all |
1:44.0 | than I thought the play was very successful on television because we see the |
1:46.8 | Queen all the time on television, the real Queen. And so, you know, |
1:51.0 | when you saw this person coming on and you went in and close up and it |
1:53.9 | wasn't the real queen it was only boring old me in a wig you know it was it was |
1:57.6 | to me terribly disappointing and I can't believe that the public would |
... |
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